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Message Archive: Messages 3501 - 3600




3600. Saginaw, Michigan elephant, 07 Feb 2011 - My name is Steve West and I have a small restaurant in Saginaw, Michigan. I hear alot of stories and one recently was that there was a famous elephant that died in our area and was buried in a cemetery in our City. Maybe at the turn of the century, early 1900's. I have been trying to find out if this is true. Thanks for any help. Steve. Reply to this message, replies go to this board, not to the message sender.

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3599. Roy J. Kohn, 06 Feb 2011 - I am looking for any information on my father Roy J. Kohn. In 1938 at the age of 17 he and his acrobat troupe joined the Shrine Circus. He was trained as an acrobat by then policeman Arvid Friedlund in Detroit Michigan. As the story goes he later performed with Ringling Brothers. At one point the troupe was named the Picchinni (sp) troupe. This is all I have to go on so far, any help would be appreciated. Thanks. replies can be sent to S.barnette@comcast.net. Reply to this message, replies go to this board, not to the message sender.

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3598. Frank James, Cole Younger shows, 05 Feb 2011 - My wife and I are trying to find out information about either the Cole Younger & Frank James Wild West show (1903) and the Cole Younger & Lewis Nichols Show (1908). My wife is the director of the James Farm museum and hoped that we could find out a bit more about Younger and James' shows. becstar. Reply to this message, replies go to this board, not to the message sender.

    Reply: 06 Feb 2011 - The Younger-James outfit was a smaller railroad operation, an outgrowth of the Buckskin Bill's Wild West of the 1900-1902 period. It was the domain of the Terrell Bros. of Paducah, KY. If you haven't already checked it, seek a copy of John Koblas's book, "The Great Cole Younger & Frank James Historical Wild West Show," published in 2002. The resources referenced therein suggest that the author utilized newspaper accounts and books, but didn't access the materials in the weekly amusement trade journals "Billboard" and "New York Clipper," which would provide additional knowledge. You may be able to obtain microfilm through your local library via inter-library loan. A photo of the sideshow cast is on the back cover of the July-Aug 1967 issue of the CHS publication "Bandwagon." You can see it on-line at: http://www.circushistory.org/Photos/Photo1f.htm. The show was managed by Henry E. Allott, a grifter known better as "Bunk" Allen. You can read about him and his nefarious exploits in Gordon Yadon's article, "Bunk Allen-Memorable Circus Grifter," in "Bandwagon," January-February 1985, pages 32-39. Some basic background on Wild West operations is provided by Don Russell's book, "The Wild West," but it isn't strong on the smaller. Various circus repositories may also have additional materials. Fred Dahlinger, Jr., Curator of Circus History, John and Mable Ringling Museum of Art [You can order the above named issue of Bandwagon, click on Bandwagon on the navigation side bar, then on "Back Issues" - J. Griffin]

    Reply: 07 Feb 2011 - Thank you very much for the information. We will order the 1985 back issue you suggested.

    Reply: 07 Feb 2011 - FYI - The Russell Brothers Circus played Mexico, Missouri on April 28 1937 and issued a window card that advertised "Jesse James notorious Missouri Outlaw Himself Alive! In Person! After 51 years in hiding. Unbelievable - But True. Jesse James, supposedly shot by Bob Ford on April 3, 1882 now alive, will pay $5,000 Cash to anyone who can prove he is not the real and original Clay County, Missouri bandit. To see him is to believe him!".The attraction was advertised but I have not found additional information other than my window card to support the claim, Ted Bowman Circus Route Collection

    Reply: 07 Feb 2011 - My book “Cossacks, Indians & Buffalo Bill” is at my publisher and will be available this summer. I include a 1903 chapter with the complete story of the Frank James and Cole Younger Wild West. I would be delighted to share the chapter with you. Please Contact me at rgeorgian@embarqmail.com. Regards, Richard Georgian

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3597. Circus train logistics, 04 Feb 2011 - Good day. I am searching for information about a story that occurred in the 1930s. Sometime between 1934 and 1940 a group of German Wehrmacht (Army) officers traveled with an American circus train studying the logistics of large equipment and personnel movement by train. This was reported at the time in one or more newspapers. I am trying to locate either the newspaper stories or anyone who might have knowledge of the stories. Thanks very much. Grover Gatewood, Bridgehampton, New York. Reply to this message, replies go to this board, not to the message sender.

    Reply: 06 Feb 2011 - The alleged affiliation between any American circus, domestic or abroad, and Nazi Germany appears to be an Internet legend surfacing periodically in different variations. The general topic of military study of circus logistics has been discussed previously. See message 918 in the archives. Fred Dahlinger Jr., Curator of Circus History, John and Mable Ringling Museum of Art

    Reply: 08 Feb 2011 - The story is more than internet legend. I remember reading it back in the 1970's, perhaps in one of the circus books of that time period or possibly in a Popular Science or Popular Mechanics magazine that was about the logistics of the RBBB circus trains. I believe it was about the German military pre-WW I rather than pre- WW II. My apologies for memory only and no specifics. The majority of my book collection is in temporary storage. Rob Owen Glen NH

    Reply: 09 Feb 2011 - If you go to message 918 you will read about earlier German army study of circus logistics. Nazi study remains an Internet legend. Fred Dahlinger Jr., Curator of Circus History, John and Mable Ringling Museum of Art

    Reply: 10 Feb 2011 - Surviving documentation and photographs of German methods for moving heavy armored vehicles, notably the Tiger I tank, may be perpetuating the story. Not well suited to long-distance movement on their own, Tigers were loaded on heavy-duty flatcars using large end ramps – the process also required removal of the standard road tracks and idler wheels, and installing narrower transport tracks. Some accounts suggest a practiced crew could do this in about 20 minutes. You’ll also find some discussion regarding the experimental ultra-heavy tanks codenamed Maus (Mouse), which would have had to be moved any appreciable distance by rail. Lance Burton

    Reply: 06 May 2011 - European rail circuses and independent carnival attraction operators had their own way of loading onto standard gauge flat cars that was very different from how shows loaded and un-loaded here. They have been using this method since they began on rails. Long before either war!! They had good ways of unloading - loading off and on trains that wouldn't need any trip to the U.S.A. to show them!!
        Kirmes magazine, the excellent German show monthly covering fairgrounds and amusement parks world wide did a nice 4 part series of articles in the 1990's on moving shows - first, on boats, canal barges, then road and then rail.
        The sides and ends of standard flat cars have about a two food side which fold down. On the ends they almost meet - so no cross over plates are needed. They is a slight hump when going over them. The sides all fold down and they bridge what ever distance there is from the side of the car to the ramp. You cannot load wagons by using a tractor and cable going along side the flats in European rail yards. For one thing - many are electrified and most are very busy. There is no roam or way you can drive a tractor or truck flat alongside the flat car - Period.
        Show trains in Europe unload and load from the flat cars side ways. They call the cement or cobbled area beside the baggage depot the "ramp" as opposed to our runs. Usually the first flat in the train is not loaded too tightly or only has a tractor and one smaller wagon on it so there space for the tractor to turn sharply and pull the wagon off the car onto the ramp. On the inside side pieces the steel is slightly curved when folded down onto the ramp to bridge the space between the flat car and the ramp. Once this first flat is cleared it is often left there to provide an extended loading area for tractors and trucks pulling other wagons off the cut. Circus Knie one of three remaining rail shows in Europe still leaves the run car in today. The Austrian National Circus when Louis Knie Sr. had it usually left the run car at the ramp during the loading or unloading of each cut. The length of the cuts are usually short governed by the length of the siding - usually 6-8 flat cars are in each cut. Krone left the run car in too but the last time I saw it they unloaded 4 cuts at once off the end of the flats onto a big four track end ramp area.
        Today they are few rail circuses because these ramps no longer exist in Holland, Germany etc. as most freight is moved by transport or boat. Enis Togni told me he was through touring there because of the lack of good ramps. One stand in Holland he unloaded 30 miles away in the next big city and lost a day's showing. The last time in the 1990's that i saw Togni's huge Circus Americano unload from the train, the yard engine had pushed the first long cut into the ramp back wards - that is - the wagon tongues were towards the caboose instead of to the front. After a few minutes of cursing the train master and crew brought up a tractor from the lot and went half way down the cut where they fixed a chain under the under gear of one of the wagons and turned it side ways with the tractors help - then they yanked it off the flat opening up space to start unloading from in the normal way.
        The flat cars used are usually standard size rail flats that are the same from country to country. The one exception to this that I saw was in the last season of Austrian National Circus that Elfie Jacobu Althoff owned. She had two 80 foot cars in the 30 flats or so. She had very old guider style centre poles that didn't come a part. They were left i as one long steel 50' plus mast and hung over both ends of the pole wagon a long ways. It and a tractor went onto one long flat. At the time Elfie was very sick and she insisted that her three wagons - kitchen, living room and bedroom wagons be left hooked up and on one flat. They went on the other long flat.
        Circus Roncalli has to use the train because they use old wagons that have not been adapted for present road use so that their historic old appearance has been kept. Last year when Roncalli came to Amsterdam by train they unloaded in the port area where there was no ramp. Roncalli had a steel firm manufacture them a 40 foot steel ramp. I was lucky enough to see this in use again when they played Wursburg in October. Those are the only two times they have used such an arrangement but as the ramps disappear it will not be there last.
        So far in Switzerland they still move a lot of freight by rail and most places still have good ramps. However, the Knie train master last year expressed fears that the situation may change. The show has been pulling more and more equipment over the road in the last decade. The animals no longer go by box cars but in semi-trailers. The big top poles no longer go on the train. There are two two sets of main poles in use and they are leap frogged from lot to lot and already set-up on the new lot when the show comes in. The tent canvas has been moved for years in dump like trucks. The show has also been dropping the smaller wagons on the show. They have replaced many small living wagons with longer and bigger units. This winter the half dozen short press and office wagons were replaced by four long wagons.
        The story about German military folks coming to the U.S. to lean to move stuff by rail is pure B.S. Al Stencell.

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3596. Joseph Keeley, 03 Feb 2011 - Joseph Keeley had a small circus and travelled England, Scotland and Ireland. He was at one time part of Lovett, Keeley and Ohmy. Johnny Patterson joined him in Ireland during 1887 until his death in 1889 and Keeley married his widow. Can anyone tell me more? I would particularly like to know when Joseph Keeley was born? sheila.sexton@btinternet.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 06 Feb 2011 - I see we are also discussing Keeley at Message "3527. Sangers Circus, 15 Nov 2010"? John Turner's 'Victorian Arena' - There is quite a large entry for Johnny Patterson, also for Claude and King Ohmy if you want it? - there is also a mention at http://www.johnnyp.ie/text/JP Bradshaw.pdf. jim@stockley.co.za

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3595. Photos identification, 01 Feb 2011 - I recently received my Grandfather's circus photo album. His name was Raymond (Ray) Grinstead. In 1921 he was a clown in the Howes Great London Circus with his best friend of 50+ years, Emmett Kelly. Some of the photos are labeled, but I need help identifying people, cages and band wagons. Can you recommend a website to help me with this? Thank you in advance for your help! Regards, Lisa. Reply to this message, replies go to this board, not to the message sender.

    Reply: 23 Jan 2016 - I am researching what happened to circus in WW1 and wondered if you had any information you would like to share with the project. we are particularly interested in the impacts the war had on people, animals and businesses. We see that this is a little researched area and we are hoping to connect with people especially collectors who would like to share their knowledge with the wider community. I hope that you can help. Many thanks in advance, Helen Averley, Circus Central

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3594. Clyde Beatty statue, 30 Jan 2011 - My name is Elsie Danner and I’ve been trying for a year to research a bronze statue of Clyde Beatty which was originally placed outside the Valencia mall in Valencia, CA. I’ve contacted numerous people whom I thought could assist me in finding this bronze statue in order to get a picture of it for my cousin who has quite a memorabilia. Collection of Clyde Beatty. My cousin, David Cook, lives in Salem, NH and he tells me as a child he attended the circuses in Manchester, NH and was so very interested in the circus life. Clyde Beatty became very friendly with David and allotted him quite a bit of time when he was there. David has asked me to try and track down this statue and so far, I haven’t had too much success. I’m not sure if this particular inquiry falls under your category, but perhaps you can lead me in the right direction. Thank you so much for your time. Sincerely, Elsie Danner. Reply to this message, replies go to this board, not to the message sender.

    Reply: 31 Jan 2011 - I wonder if you might be thinking of the bronze statue of Gunther Geble-Williams in Venice, Florida? Whitey

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3593. Christian faith experience & circus, 29 Jan 2011 - I am putting together a "worship experience" for our gathering of clergy and families this June at Circus World Museum. Does anyone know of any resources that would link the Christian faith experience with the circus? Also, if there are any resources that would be used by the circus for a faith/worship experience? Thank you in advance for your guidance. Dave Hankins, Portage, WI. Reply to this message, replies go to this board, not to the message sender.

    Reply: 31 Jan 2011 - You might try contacting Fr. Dick Notter the circus chaplin who is associated with the circus and traveling show ministries, and he is based out of Toledo, Ohio. I know he does baptisms, and first communion and works to prepare those for various sacraments.His email is ren132@aol.com. web page is circusspace.com. JFP

    Reply: 01 Feb 2011 - You could also go to http://bucklesw.blogspot.com. Dec. 22, 2010 and see the elephant that taught Sunday School. Billie H.

    Reply: 02 Feb 2011 - Faith is typically a personal and private activity in a person’s life, separate and apart from one’s occupation, profession, etc. The existence and presence of it is usually discerned only by the observant, inquiring or knowing individual. As a result, trade papers that catered to showmen, and thereby provided the best continuum of circus knowledge generally commented only upon business-related activities. Even showmen’s memoirs seldom contain references to their spiritual life because it’s their occupation that has focused interest upon them.
        Faith is not a topic commonly encountered in circus historiography except in obituaries, where a belief association might be discerned from the church or clergyman utilized for the memorial service. The motivation for showmen’s publicly acknowledged charitable actions, including the funding of illness care, housing and board, and burial, is typically not discussed. Ministering to others in times of tragedy, ill health and end of life is not noted as they are outside the public view of the ring, back yard, etc.
        Maintaining Christian faith while someone is on the road obviously presents both challenges [difficulty of maintaining contact with fellow brothers and sisters, attending services, being a church body member] and opportunities [spreading the Gospel amongst fellow show people and citizens over considerable geographic area]. There was greater opportunity to practice one’s faith when a circus was in winter quarters, when regular worship attendance was possible, if permitted by church governance.
        There’s an interesting story of a minister traveling with the Campbell Bros. Circus. See “Bandwagon,” Sept-Oct 1959, pages 13-17, a copy of which could be obtained from CWM archivist Peter Shrake, pshrake@circusworldmuseum.com. It is also on-line on this website at: http://www.circushistory.org/Bandwagon/bw-1959Sep.htm You might also ask Peter about the contents of a vertical file titled “religion.” There is also a file on circus professionals who were or are Jewish.
        The nicknames of at least two circus figures suggest a possible strong Christian affiliation: David “Deacon” Blanchfield and Ernest “Deacon” Albright. I was told that Blanchfield never passed a church without going in. There is considerable biographical information on both men. I suspect that some troupers conducted services quite routinely for their fellow showmen, but locating specific references to the activity escapes me at the moment.
        Biblical history was utilized by showmen for the basis of some activities. Spectacles were scripted about “Nero, or the Destruction of Rome,” “Solomon and the Queen of Sheba,” “The Fall of Nineveh,” “The Crusades,” Noah and the Flood and other topics. The Noah epic utilized the abundance of circus menagerie animals as part of the presentation.
        Some occupants of the pulpit were openly hostile towards circus people in the 19th century. They judged them as agents of Satan, doing no justifiable work or service, their physical activities akin to magic and the black arts. There’s a well-known 1815 anti-circus statement in print in Stuart Thayer’s and other works. More can be garnered from Greg Renoff’s book “The Big Tent, The Traveling Circus in Georgia, 1820-1930.” A booklet published by the American Sunday School Union in the mid-19th century also was critical of the circus trade and its participants.
        Yet, there were alternative views that were also based on interpretation of Biblical verse, such as this resource:
    http://books.google.com/books?id=aUAEAAAAQAAJ&pg=PA288&dq=circus+christian&hl=
    en&ei=GARHTfrOGsSblgfE-IlC&sa=X&oi=book_result&ct=result&resnum=1&ved=
    0CCsQ6AEwADgK#v=onepage&q=circus%20christian&f=false
        Even where they resided showmen were sometimes subject to anti-circus sentiments by Christians of the community. Though his family was Christian, as a young lad Walter Gollmar Jr. was rejected by a neighbor where he had been sent to purchase some cream. The lady refused to sell it to him because his coinage was tainted “circus money.” He personally told this story to me.
        Circus men started to combine ring shows with menageries in 1832, and progressively did it more frequently until the two were inseparable. The idea was that the clergy and other Christians would buy a ticket to see the menagerie, and might be induced to consider circus attendance. In numerous instances, Christians, in denial, could be observed inside the circus tent, using the ruse that they were accompanying their children or grandchildren.
        Showmen like P. T. Barnum made special appeals to the clergy, to consider the value of their natural history displays and such, activities other than the ring displays. There was some limited direct invoking of "appropriated Biblical verse," “the lion shall lie down with the lamb,” in regards to exotic animal training and presentation [Isaiah 11:6 and 65:25], and “behemoth of Holy Writ,” concerning the alleged “blood sweating hippopotamus.” [Job 40: 15-24]
        Showmen were observant of the Sabbath through the 19th century and well into the 20th century. They only began to embrace Sunday shows after such activity also took place in local communities. Circuses that embraced policies of unilateral honesty and fair treatment of customers, especially families and women and children, earned the nickname of “Sunday school shows.” The term is known in the 1890s, but the practices date to the 1870s and before.
        Most clergy attending to the spiritual needs of circus people have been Roman Catholic priests and nuns. Father Ed Sullivan served the circus community for many years and his surviving papers are at Circus World Museum. Priests and others have blessed circus activity [including the RBBB train] and a church in Sarasota, FL has many members from the circus community in the locale. Father David Tetrault, a Protestant clergyman last known to be in Williamsburg, VA has been active in the recent past. There is also the Rev. “Doc” Waddell, an apparent lay minister, who presided over the unconventional wake and service for circus man Dode Fisk in 1941. A scrapbook of material originating with Waddell is in the Don Howland collection at Circus World Museum.
        Various Ringling brothers were adherents of different faiths. Gus Ringling embraced the Roman Catholicism of his wife. Following his passing, his brothers, in one of their rarely acknowledged public acts of their charity, funded a pipe organ for her parish, St. Joseph’s in Baraboo. Henry may have been Episcopalian [as embraced by his descendants], Al and his parents were Lutheran [existing church record], etc.
        It would be a mistake to connect the “Circus” of ancient Roman times, wherein Christians were sacrificed, with the modern circus. About all that they share in common is the name. Also be aware that the temporary wooden structure housing the ring performance in North America was known as the “circus” through at least 1835. Many of them served alternative purposes. Some writers have been confused by the name application.
        Paul supported his missions work by working as a tentmaker. [Acts 18:3] He did so apparently with a special type of fabric. I assume that the tents were for travelers, nomadic people, etc. There’s no connection between tents and the modern circus [founded 1770, to the US in 1793] until 1825. It was literally a means to take the circus out of the city and to the people in the hinterlands. One can readily see possible parallels for discussion.
        As John already noted, contact with clergy serving show people today would be a good idea. Speaking with people in the business who are Christians would also be appropriate. Some reside near your community and could inform you about the activity commonplace today, as well as providing personal testimony. Fred Dahlinger Jr., Curator of Circus History, John and Mable Ringling Museum of Art

    Reply: 07 Feb 2011 - To those who have graciously replied to my inquiry - thank you. You have given me good ideas and good leads. Thanks again! Peace, Pastor Dave Hankins - Portage, WI

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3592. H. C. Long, 29 Jan 2011 - I am doing my family history my great grand father H. C. Long, in 1914 was general agent for M. L. Clark and sons, any information on him will be appreciated. Paul. Reply to this message, replies go to this board, not to the message sender.

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3591. Bugler, Alsenborn, Germany, 27 Jan 2011 - Looking for anything about ancestors from Alsenborn Germany who were circus people there. Very little info. Name of Bugler. Have found one thing that confirms the name was linked to circus in Alsenborn. Any help would be appreciated, Sabine. Reply to this message, replies go to this board, not to the message sender.

    Reply: 06 May 2011 - I don't know if they come from this town but there are numerous Bugler's in the circus business and more on the fairgrounds. Many of these families had small circuses and many closed them in the 1970's and a number of them turned to operating large pony rides on fairs. One Bugler had a Shark show on the fairgrounds and another had a big whale show playing towns like a circus. I believe one of the Bugler's has a very good independent elephant act working on circuses in Europe. I know he has appeared at various Holland winter circuses. I just saw one of the Bugler families with a pony ride last year at Stuttgart - one of the largest fairs. Unlike her, the towns run the fairs and they have staff, keep perfect records and these go back to the 1500 hundred!!! Contact the fair in Stuttgart (Canstatterfest) and find out which Bugler played there. Al Stencell

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3590. Performers, surname Hudson, 26 Jan 2011 - I am looking for Circus performers from the early 20th century with the surname Hudson. William, Catherine(Kate) Samuel. Mary Anne, Susan and othes. If anyone can help, I will be very grateful. dmjspen@tiscali.co.uk. Reply to this message, replies go to this board, not to the message sender.

    Reply: 27 Jan 2011 - John Turner's 'Victorian Arena' only has one brief entry: "HUDSON, William Turner, Circus Proprietor, in Ireland, died 13 Sept 1917, buried Castletown Conyers, left a wife and large family." This might be a lead? Wonder if this was your William Turner Hudson's father? Maybe the family went to Ireland after this? (www.london-gazette.co.uk/issues/22083/pages/223/page.pdf) "Before the Judge of the County Court of Lancashire, holden at the Court-House, Nicholas-Croft, High-Street, Manchester, on the 1st day of February, 1858, at Twelve o'Clock at Noon precisely. William Turner Hudson (sued as William Hudson), formerly of No. 71, London-road, Manchester, Lancashire, Butcher, then of the Old Crown and Shuttle Inn, Long Mill, at Manchester aforesaid, Innkeeper, and late in lodgings at the Lower Ship lnn, Withy-grove, Manchester aforesaid, out of business." jim@stockley.co.za

    Reply: 15 Jan 2013 - Hi, Kate Hudson was my great grandmother, my mother is Elisabeth Purcell, her Father was Jimmy Purcell. He Married one of the Hudsons. Luisa

    Reply: 04 Feb 2016 - My father was Sam Hudson, brother to Kathleen, Mary Ann, Mikey and Sammi Antony. My dad was on the trapeze with Kathleen and Mikey. Regards, John Hudson

    Reply: 15 Jul 2016 - My grandmother was Mary Ann Hudson but unfortunately I don't have much info about her so anything you can tell me would be much appreciated. Catriona

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3589. Bandwagon, Chung Ling Soo, 26 Jan 2011 - I am a collector of magic memorabilia and I have an article from an old magazine titled Truth About A Tragedy by Donald Stevenson. It is an account of Chung Ling Soo's death while performing the Bullet Catching Trick. A hand-written notation on this article says, "Band Wagon November 1948 Volume 7 number 5." I'm wondering if anyone can tell me if such an article exists in Band Wagon. I have a feeling that it doesn't. I do know that this article appeared in a magic newsletter in England in 1951. This makes a lot more sense since Donald Stevenson lived in England. Thanks in advance for any help you can provide. Mike Caveney. Reply to this message, replies go to this board, not to the message sender.

    Reply: 29 Jan 2011 - Mike, you’re facing some complications with that citation, as you surmised. Then called "Hobby Bandwagon," there is a Nov-Dec 1948 issue given as volume 3, number 9-10. If one then looks for the volume and issue number you give, you can find volume 7 but it is issue 4-5 for April-May 1952 and called "C.H.S. Bandwagon." No Chung Ling Soo article in either issue. - Dick Flint, Baltimore

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3588. Candy seller badge, 25 Jan 2011 - My name is Bob Russell and I have something circus-related I'm looking for some information on. Some years ago I was searching around an old abandoned farmhouse with a metal detector and found a metal pin about 2 1/2 in. diameter with the words Ringling Bros. around the rim on the top, the large number 22 in the middle and the words Candy Store around the bottom rim. It is convex to the front and I believe it to be made of nickel. It has a heavy safety-pin type fastener soldered to the backside and the words Stein L&B. St. Louis. I have been told that it was a candy sellers badge. Any further information and approximate age would be appreciated. Reply to this message, replies go to this board, not to the message sender.

    Reply: 27 Jan 2011 - Circuses commenced to use numbering systems to control assets, inventory and personnel very early, in the 19th century. The earliest application was wagon numbers, by the 1830s. By the 1870s workingmen were being identified by numbers. They bore pinned buttons or badges of the type that you possess. Possession enabled them to claim their wages on pay day. Such badges were also used by Barnum & Bailey. Several examples survive.
        The Ringling Bros. circus was started in 1884. Through 1908 their concessions, including the candy stand/store, were a privilege maintained by the Parson family. A quick look at images for that time frame didn't reveal any pinned badges of the type you describe. The Parsons likely knew their crew on a first name basis and had no need for badges for personnel identification.
        From 1909 onwards the Ringlings controlled their own concessions directly. Their last year of operation as solely Ringling Bros. was 1918. It's possible that your badge is from that era. They had between 600 and 800 or more employees on the show at that time, with considerable turnover in employment. The numbered badges again served as a means to identify specific individuals when it came to pay day. Fred Dahlinger Jr., Curator of Circus History, John and Mable Ringling Museum of Art

    Reply: 06 May 2011 - The idea of concessionaires wearing number badges was an attempt by circus managements to try and control short changing, etc. Any one beefing at the office wagon or to management would be asked if they knew the number of the vendor. Carnivals used similar numbered tags on employees operating the rides and attractions to make sure that they were courtesy to the public. Al Stencell

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3587. Walter L. Main 1923, 21 Jan 2011 - Walter L. Main 1923 route info. Is it possible to trace the route and where can I look for info? Arthur. Reply to this message, replies go to this board, not to the message sender.

    Reply: 24 Jan 2011 - I would contact the Robert Parkinson Research Library at the Circus World Museum in Baraboo, WI. They can do a search for you ( it's a small fee ) and look if they have a route book for 1923. That would have the entire route in it.
    http://circusworld.wisconsinhistory.org/Library/AboutResearchCenter.aspx
    If you will click on the Virtual Library wheel to your left and then go to routes, the CHS has the entire 1922 Walter L. Main route on line if that helps any. Bob Cline

    Reply: 27 Jan 2011 - Arthur, I have a Walter L Main 1923 Route Book of the 44th Annual Tour. I could scan and email the four pages showing their route from Aprill 7th to October 2nd. Can you provide your email address? Doug Konkle

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3586. George Graf, 21 Jan 2011 - I have a miniture carved circus wagon signed in pencil on the bottom "Geo Graf Peru Ind 1886." I know he had a role in carving but I can't find much. Hank Guck, guckhh@aol.com. Thank you for any help. Reply to this message, replies go to this board, not to the message sender.

    Reply: 22 Jan 2011 - If you haven't done so, contact Circus Model Builders: http://www.circusmodelbuilders.com/. Graf was active in that organization. J. Griffin

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3585. India Circuses ca 1930-40, 20 Jan 2011 - My friend is trying to locate anyone whom has knowledge of a John Donald Arklie or Arkley that is believed to have joined a circus in the 1930's, he was from Calcutta, Bombay and may have died whilst with the Circus. John was born in 1909 and married a Edna Patrica Dyer daughter of Victor Ernest Dyer they married in 1930. The family of John & Edna would like any information anyone may have and we know Edna re-married in 1937 so we believe that John died between 1930 and 1937 or just divorced this wife and went of with the circus. Regards, KA. Reply to this message, replies go to this board, not to the message sender.

    Reply: 01 Mar 2011 - Just to clarify a couple of things on this posting. It was James Donald Arklie and he was born in November 1908 in Jhansi, India. He married Edna Patricia Dyer in April 1931 in Byculla, Bombay and they went on to have a daughter (Marie Celine Barbara) in November 1931. I am almost certain that James died in 1934 and again almost certain that he died whilst with the circus. There is talk that his act involved jumping from a height into a pool of water? Kind regards, Julie Jaques

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3584. Wilbur Cherry, 20 Jan 2011 - I have recently discovered that my husband's great grandfather, Wilbur Cherry, was a the General Agent for and the "Cherry" in "Rubin & Cherry". I have purchased a copy of the Rubin & Cherry book by Chris Audibert, which contains some information about Wilbur Cherry. I am searching for additional information about Wilbur Cherry, and would appreciate any leads. Chris Audibert's book mentions that Wibur Cherry was briefly with his brother's show, Devoux & Cherry. I have not been able to locate any information about this show or about Wilbur Cherry's brother. Again, I'd appreciate any leads. Finally, family lore has it that Wilbur Cherry's son, William Norton Cherry, owned a circus or an interest in a circus and his daughter was sometimes dressed in circus midget costumes. This would have been in the early 1930s in Montgomery Alabama, after Wilbur Cherry's death (in 1928). I know Rubin & Cherry wintered in Montgomery, but Chris Audibert's book indicates that Rubin Gruberg was the sole owner of Rubin & Cherry. Any clues on this would also be appreciated. Thanks in advance for any help or leads. Gayle Mayo, Biloxi, Mississippi. Reply to this message, replies go to this board, not to the message sender.

    Reply: 13 Feb 2013 - I have a friend who’s dad was with a man named King and performed wild west shows with the Rubin and Cherry circus from 1919-1924. He was probably 10 years old or so in 1919 and I’m looking for pictures of him. Rodney Crown Point IN

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3583. Video, RBBB 1958, 19 Jan 2011 - Hello, Does anyone has footage of the season 1958, Ringling Bros Barnum & Bailey Circus? I worked there, center ring, Yvonne's Dogs. Please advise, I really would like to purchase the video if available. Thanks, Yvonne. Reply to this message, replies go to this board, not to the message sender.

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3582. RBBB cookhouse, 14 Jan 2011 - I am trying to find out how many people did Ringling Bros. and Barnum and Bailey under canvas feed in the cookhouse. Also how much food of various kinds and amounts did they need to feed all these show folks like ponds of meat, flour, eggs, loafs of bread etc., and what ever else was needed for a day. Any help on this would be greatly appreciated as a Circus is wanting to know this. Harry Kingston CHS member, colebrosfan@aol.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 26 Jan 2011 - In 1935 - before Ringling-Barnum had become mechanized and still carried about 1400 people on its trains - the cookhouse was a huge part of the operation - employing about 135 people just in the kitchen. During the 1935 season the Ringling-Barnum cookhouse used eight stoves along with wood fires to heat the water for steam, etc. While the menu would vary from day-to-day, according to one report (which seems plausible considering the hundreds of workingmen and performers who were being fed) each day the cookhouse prepared and served three meals and in doing so consumed 2700 eggs, 2200 loaves of bread, 2470 pounds of fresh meat, 285 pounds of butter, 200 gallons of milk, 3600 ears of corn, 200 pounds of coffee & tea, 36 bags of table salt, 50 pounds of lard, 1300 pounds of fresh vegetables, 1320 fresh oranges, 2 barrels of sugar, 50 bushels of potatoes and 350 pounds of salad dressing. All of the groceries were purchased locally. During long railroad jumps when the show and cookhouse wasn't set up "Dukie" boxes were prepared by the cookhouse and distributed to each employee. A "Dukie" is essentially a sack lunch with a sandwich, piece of fruit etc in each. Chris Berry email: circusposters@gmail.com

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3581. Michigan, circus grounds, 14 Jan 2011 - Hi, doing research on circus history in Michigan. Where the circus grounds were. Counties would be Tuscola and Saginaw. Any help would be appreciated. Thanks, prankcorkpine. Reply to this message, replies go to this board, not to the message sender.

    Reply: 15 Jan 2011 - If you are looking for circus lots you need to go by the city or town where the show played rather than by the county. Do a search on this website for Saginaw, Chesaning, Caro, Vassar, etc. and start with what you come up with, the date of a show in a particular town. From there you can check the local newspapers to locate the show lots. The problem is that show lots change, and sometimes rapidly, over a period of time, as I found out when I purchased a six foot stack of Saginaw newspapers and took out the circus ads. In 1886 F. H. Rich played East Saginaw May 12 & 13 at the old ship yard lot, in 1892 the Barnum & Bailey show played July 28 at the usual grounds on Washington Avenue, in 1900 the Buffalo Bill Show played July 31 at Penoyer Farm, in 1900 the Great Wallace Show played July 3 on territory just south of Genesee on Michigan Ave., in 1900 the Harris Nickle Plate Show played June 12 at Genesee Ave. & Hoyt Street, in 1901 the 4Paw/Sells Show played Aug 12 at the show grounds at Cooper Ave in North Saginaw, in 1901 the Schiller Bros. & Orr Circus played May 30 at Michigan Ave. between Houghton and Catherine Streets, west side, in 1902 Norris & Rowe played June 23 on Washington Ave. next to City Hall, in 1903 the 4Paw/Sells show played May 30 at the Sheridan & Holland Ave. show grounds, and in 1904 the Barnum & Bailey show played June 3 on the grounds on Holland Ave. Ted Bowman Circus Route Collection

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3580. Elephant, Babe, 11 Jan 2011 - Hello there! Would like to ask a question about a certain elephant named Babe. It was about 1947 that my uncle Ernie Susanj was caring for her on the Imperial Expedition show. My uncle would like to know if she might be still alive? He now is 83. Would like to know where she might be as a retired elephant. My uncle was about 20 years old when he was caring for her. He was quite fond of her, and her of him! So I hope you can find some info. on her or a picture of her possible. Here is my e-mail, TheMenagie@aol.com. My uncle is staying with us. So I do the computer things for him. Thank you for reading this, his niece Cecilia. Reply to this message, replies go to this board, not to the message sender.

    Reply: 14 Jan 2011 - Cecilia: I thought someone more knowledgeable than I am would have jumped in here before this. Maybe Buckles or Bob Cline will respond. But to get you started, "Babe" has always been a very popular name for elephants and there have been many Babes with circuses and carnivals. I wonder if this Babe might have been the one sometimes called "Cross-Country Babe" who was with United Exposition Shows in the late 1940s, having been purchased from the Kelly-Miller Circus by Curley Vernon. Elephants don't live as long as you may have heard and I believe this particular Babe went back to at least 1911 when she was with the Frank A Robbins show. Note to others: Didn't this Babe die in a wreck in Arkansas in 1959? Regards. Whitey

    Reply: 15 Jan 2011 - Hi, I believe you are referring to the Imperial Exposition Shows. In Goggle Books, Billboard, Sep. 27, 1947, pg 73, is an article about the show's elephant, Babe, "running", and Todd Henry being the trainer. With extensive research you might find out what happened to that Babe, but as Whitey says, she is probably deceased. The show is referred to in several Billboard articles in the 1940s. Your Uncle may enjoy reading them. Billie H.

    Reply: 15 Jan 2011 - Hello. Sorry for the delay in trying to answer this but I’ve been in a weather delay here in South Carolina with no Internet the last five days. You have asked a question that I am not able to answer. ( First, let me Thank Mr. Fred Dahlinger for giving me a heads up on this and finding some of these leads supplied herein )
        I have thirty-one different elephants named BABE in my records from over the years with several more called Baby or Babylon. The elephant you are inquiring about is one I have not heard of.
        While Whitey is correct in his answer, this turns out to be a different elephant. Indeed, United Exposition Shows existed at the same time as Imperial Exposition shows under different owners and in different parts of the country. You are asking about the Imperial Exposition Shows. According to the Billboard magazine (Oct. 1, 1949, page 62 ), which was the entertainment news publication of this time period, Martin E. Arthur owned Imperial Exposition Shows. Joe McKennon’s “A Pictorial History of the American Carnival, Volume II” indicates that the Imperial Exposition Shows existed from 1946 to 1950. Prior to this, Martin E. Arthur was the owner of Arthur Bros. Circus from 1943 to 1945 When he closed the Arthur Bros. Circus after the 1945 season, all six of the elephants went in other directions. None of them stayed with Mr. Arthur.
        While searching through the Billboards found on Google Books, we find that Imperial Exposition’s elephant, Babe, lead the parade being ridden by Jerry Eagles and lead by Trainer Sclappe. ( Billboard, Aug. 2, 1947, page 67 ). Later she became restless in Albany, Oregon in September of 1947 (Billboard, Sept. 27, 1947, page 73 ) and took off into the woods after being in town for a week. Her trainer Tony Henry was able to capture her eventually after 12 hours. She got mired in the mud and they were able to get her back into the truck.
        The Imperial Expositions Shows was a carnival taking 8 major rides and four kiddie rides to Hawaii in 1947 for at least seven weeks of work. ( Billboard, Nov. 1, 1947, page 60 ) Also included in the journey was a Circus Side Show, a three man high balancing act and an elephant, Babe, as a free attraction.
        In early 1949, the Imperial Expositions show owner Martin Arthur had his elephant Babe, held by the Sheriff in Selma, Alabama while the elephant’s trainer, Frank Leggett awaited $675.00 in back pay. ( Billboard, Jan. 22, 1949, page 40 )
    http://books.google.com/books?id=EBcEAAAAMBAJ&pg=PT39&dq=Babe,+elephant&hl=en&ei=VyIxTYHaLInMgQeU_qykCw&sa=X&oi=
    book_result&ct=result&resnum=9&ved=0CEMQ6AEwCDg8#v=onepage&q=Babe%2C%20elephant&f=false
        In another inquiry found on Rootsweb. Ancestry.com back in 2000, someone named Ron was trying to find out about the trainer of Babe who appeared in the Tarzan movies in the 1940’s, was on Imperial Expositions Shows in 1948 and later on Hagen Bros. in 1957. Therein lays a lot of confusion, as there was never an elephant named Babe on the Hagen Bros. Circus to my knowledge. See http://archiver.rootsweb.ancestry.com/th/read/THEATRICAL-ANCESTORS/2000-10/0971718626
        The Tarzan movies were filmed mostly via the Metro-Goldwyn-Mayer Studios in the 1940’s. They actually bought their own elephants, Happy, Sally and Queenie and were trained by George Emerson at the Studios. The three appear on film as babies in the Tarzan movie “Tarzan’s New York Adventure in 1942. These three elephants remained with MGM from 1937 until 1946.
        I’ve gotten a little off track here, but the Babe you are looking for would be from 63 years ago and possibly grown at the time. I would be of the opinion that this elephant has found a better place by now. I would love to hear what your uncle remembers about Babe. Bob Cline fivetiger@shtc.net

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3579. John Washington Smith, Kate Kirby, 11 Jan 2011 - I am much amazed and joyful that I have found this web-site and through it information about John Washington Smith. Kate Kirby was my great grandfather’s (William Kirby) sister. In my family there have always been stories of a history of touring performance and a hint of circuses. I was mainly told these things when I was performing with Circus Oz and studying theatre at the Victorian College of the Arts. I “knew” about John Washington Smith and Kate through some letters to my dad by one of his older cousins saying that she could remember visiting the family in South Melbourne and being amazed by all the wonderful curios from all over the world. She claimed that Kate and John had 9 children who were each born in a different country. As wonderful a this sounded, and as much as it appealed to my thespian imagination, I always took it with a grain of salt. All my dad’s family acted and were great musicians- playing in town and army bands, the jazz scene in the 30’s etc.. One aunt had high pretensions to a professional acting career and always swore it was in the blood. She had a high degree of haughtiness in the blood too, so I always took everything she said with a grain of salt. There was always talk of an association with JC Williamson the famous theatre manager and performer. Recently I saw that the numbers didn’t add up- JWS was already dead when JCW arrived in Australia. So I then dismissed the whole story as fantasy.
    Then! Lo and behold here it is! Available for even little old skeptical me to read and discover! It’s even more amazing than I thought! But learning more I am beset by way more questions. Kate Kirby was the eldest of 8 young Kirby’s (20 at the time) who arrived in Australia from County Limerick in 1855 on the Amazon. My great Grandfather was the next youngest at 19, and the youngest member of the family was Sally aged 7. How on earth did Kate Kirby manage to meet, and then not only meet, but win the heart of this internationally famous performer?
    There is a reference in one of your entries in the biography section that mentions in passing that J W Smith’s wife was an equestrienne? Is that Kate? It would not altogether amaze me if she had excellent musical skills as perfect pitch has shown up regularly in the family. But an equestrienne? Does this indicate that she would have performed as JWS toured? Does anyone there have more detailed information about her? Or indeed their relationship, whether or not she travelled with him, whether or not it is true that she had “children in many different countries”? I understand that for the purposes of history, and her gender at the time this was happening , a lesser light than her husband, but is there any way of digging up material about her. It seems JWS was much more famous in America than Australia- though, I am assuming that. Given how un-PC his act was maybe people have shoved the history under the carpet?
    Could somone tell me more about “The Lion Ciruc, managerie and Gymnastic Arena”, or his “grotesque acts” In the reference it talks about “this city” which is “this city”? Who were “Stone and McCollman”. If he wrote “Old Man Ridley” why did someone else claim and publish that they did? It says JWS “managed for Burton” who was Burton? It also says later he “managed Collins and Brown “Christys””- who were they? And all the other references - About Mr JWS!
    For the record, on their wedding certificate- they were married at St Patrick’s Catholic Cathedral in Melbourne by the rites of the Catholic Church on the 26th October 1860. On the wedding certificate it says that JWS’s parents were Cornelius Smith and Betsy Lynch. It also says he was born in London. I found birth references for both of his parents and if they are correct they were born in England too. Doesn’t mean though that the family wasn’t of Irish extraction. Perhaps his parents were also entertainers and I imagine it would be in their interest to be based in London if that were the case? Pure speculation! It means we have a photocopy of JWS’s signature and that an original one is held by the records office of Victoria. If there is someone out there is has been, or is currently, or who has a passion to research these amazing people I would love to hear from them! My name is Margaret Kirby and I live in Geelong, Victoria, Australia. Thank you for this web-site, and thank you for considering my email. I hope very much to hear from someone with more information. Kindest regards and greatest of anticipation, Margaret Kirby. Reply to this message, replies go to this board, not to the message sender.

    Reply: 13 Jan 2011 - My email address is margaretkirby@optusnet.com.au if anyone would like to contact me directly. Margaret Kirby

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3578. H. P. Rafael, 09 Jan 2011 - Hi there, I am chasing any info on a H. P. Rafael. He was a horse rider from Columbia, and an apprentice to Rowes circus around 1849-50. Then traveled to Australia via Hawaii – 1852-54. Looking for departure ports, ships name or names, passenger lists, ports of entry to Hawaii or Australia. I believe he was the proprietor of Rafaels Great Australian circus in 1867. He married a Isabella Erwin around 1870-71. He could be my great grand father. Any info will be greatly appreciated, regards, R. Raphael. Reply to this message, replies go to this board, not to the message sender.

    Reply: 12 Jan 2011 - Posting 3421 on this website provides web addresses for old New Zealand and Australian newspapers, with key word searching capability. You might seek to borrow a copy of Albert Dresser's 1926 book, "California's Pioneer Circus, Joseph Andrew Rowe, Founder." It's based on a gathered collection of Rowe's papers housed at the California State Library.
    http://www.oac.cdlib.org/search?style=oac4;Institution=California%20State%20Library;idT=3e357088ea6fa62823c959bd8b75b6ec
    A recent inspection of them by circus history scholar Matt Wittman indicates that just about everything in the collection was utilized in the Dresser book.
        You will also find your man listed in Stuart Thayer's "Annals of the American Circus, 1793-1860," under "Raphael (also Rafael)" in the index [three citations]. Raphael is given as "Rafael (r[eal] n[ame] may be Gambor or Tolano) in Slout's "Olympians of the Sawdust Circle," available on this website. It is the first entry under the Ra-Ri segment. Unfortunately, Slout doesn't list specific resources. He did rely upon the "Clipper" and other generally accepted sources, perhaps finding an obituary for the showman since his entries go up to 1867, after Thayer's coverage ceases. http://www.circushistory.org/Olympians/OlympiansR1.htm
        For ship manifests and such, either check on-line genealogy resources or seek a local support group for assistance. Often a local library will have contracted for one of the on-line resources that provides such information, www.ancestry.com and so on. Fred Dahlinger, Curator of Circus History, Circus Museum, John and Mable Ringling Museum of Art

    Reply: 28 Jun 2012 - Could the person who posted this message please get in contact with me, I believe we are chasing the same great grandfather. You can reach me at delveen_raphael@live.com.au. Thanks D. Kerr (nee Raphael).

    Reply: 02 Sep 2013 - My updated address for any correspondence is delveen_raphael1973@bigpond.com. Praying to track down some more information in this person. Regards Dee

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3577. Blog, Harold Voise, 08 Jan 2011 - Hi folks: I am starting a small blog of circus history photos particular to Harold Voise and brothers since he was my uncle. Let me know how you feel in viewing these many photos. Right now there are only about 20 but I have many more from my uncle's estate. The collection is extensive so it will take time to put all the items out. Craig Voise, Gladwin, MI. See: HaroldVoise.blogspot.com. Reply to this message, replies go to this board, not to the message sender.

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3576. Christiana Circus, 08 Jan 2011 - In the 60s in Sarasota I often went diving with Christine, Nadio and Ladio Christiana. There father and grandfather owned the Christiana Brothers Circus. Do you know if they are still alive and how I could get in touch with her and her brothers. John Slate, Fleming Island Florida. Reply to this message, replies go to this board, not to the message sender.

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3575. Oaky Melvina Bailey, 08 Jan 2011 - Hi to all. My aunt was born in 1898 and ran off twice as a kid to join the circus. But no one has heard from her since the 1920's. Her name was Oaky Melvina Bailey who may of married a Shirly Keep. She my aunt is from Iowa. She was last seen in Omaha, Nebraska. She acted as well as sang and danced. Any info out there. Thanx, M. D. Bailey. Reply to this message, replies go to this board, not to the message sender.

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3574. Charles Frank Leon, 07 Jan 2011 - Hello. My father was Charles Frank Leon II, from Omaha, Nebraska, born 1911. He died in 1999 so I cannot ask him more questions but perhaps you can assist me. His father was Charles Frank Leon I, or Sr., and when my father was a boy, his dad had a circus probably in the Omaha area, in a partnership called Leon/Lemon or Lemmon-Leon and it got sold to Ringling or Barnum, a very large circus. This would have been quite early in the 1900's, I am guessing. My grandmother, Herminia Ninger Leon died in 1955 and when my dad went to Omaha to bury her and make final arrangements, he came back very angry because his sister had destroyed all the circus posters and whatnot that had been kept from those old circus days. Do you have any information I can research further? I was surprised to see the Lemmon name for circus biz here on your site. Can you help me for the next step? I cannot even find when my grandfather died or an obit on him for further research. I believe he must have died very poor and separated from the wife, my grandmother. Many thanks, P. Nelson, BEACHSTUDIO@WAVECABLE.COM. Reply to this message, replies go to this board, not to the message sender.

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3573. Tiffin, Ohio 1870s, 07 Jan 2011 - Wow. I didn't realize there was such a site! How would I find out if a circus ever wintered in Tiffin Ohio in the 1870s? My search through your site revealed that a Barnum circus played there in the 70s, but I was thinking of a longer stay. Oral family history says that my great grandfather Charles Zahn was a blacksmith with "the circus" that wintered in Tiffin in the mid-1870s and that's how he met his bride, who lived there. Thank you, Sarah Scripture McDade. Reply to this message, replies go to this board, not to the message sender.

    Reply: 08 Jan 2011 - Hello, I grew up in Sandusky. We had good friends that were circus model builders in Tiffin. I don't ever remember hearing any stories about a winter quarters in Tiffin. That's not to say it didn't exist. I would strongly suggest you start at the Seneca County Historical Society. If they don't have any information, then the next resource would be to go find any existing newspapers which are almost always on microfilm at the local Library. I hope this helps and I would love to hear if you find out anything. Bob Cline

    Reply: 09 Jan 2011 - A quick search through Bill Slout's "Olympians of the Sawdust Circle," a compendium of 19th century American circus biographies on this website, failed to reveal any mentions of the community of Tiffin, Ohio. That doesn't exclude the community as a base of circus activity, it may only mean that it was an uncommonly known heritage. Some variety tent shows were termed circuses, which is not accurate. As Bob already suggested, the local historical society and archived period newspapers are the usual sources to consult, along with clipping or vertical files in the local library. Historian John F. Polacsek has gathered a considerable amount of material on Ohio circus history and perhaps he has something to share.
        One circus man who did operate in the NW Ohio area in the 1860s-1870s was G. G. Grady, out of Kenton and Upper Sandusky. You can read about him in Slout's volume and also refer to CHS message 2964. A standard Google search also turned up numerous hits.
        Staff rosters that include the working men are quite scarce. Unless you find letters, photographs, a diary, newspaper references, directory entries, census listings, etc., you may never be able to confirm your ancestor's circus affiliation. A Chas. Zahn was listed in the 1870 census as a 19-year old clerk in Cincinnati, Ohio. The 1880 census lists a Joseph Zahn, Ironmaker, and wife Mary, both aged 45, with a son Charles, age 14, a worker in a nail mill, resident in Steubenville, Ohio. You may want to explore the family genealogy a bit more, confirm it, and then return to the circus investigation. Fred Dahlinger, Curator of Circus History, Circus Museum, John and Mable Ringling Museum of Art

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3572. Alfredo Codona, 06 Jan 2011 - I am an author and journalist with The Times (London). I am keen to track down any known descendents of Alfredo Codona, Lillial Leitzel and Vera Bruce for a book I am researching. Any help gtaefully received. Rick Broadbent, The Times, London, UK. Reply to this message, replies go to this board, not to the message sender.

    Reply: 12 Jan 2011 - I didn't think Alfredo Codona had children with either Lillian Leitzel or Vera Bruce? There couldn't be any descendants, could there? jim@stockley.co.za

    Reply: 20 Jan 2011 - One reference I read about in Steve Gossard history is that he was also married to Clara Curtin (his very first wife. She was first married to Indian Groves a memeber of the Valention casting act. She left Groves to be with Alfredo. They divorced in 1927. In the Gossard book there is no reference to children he might have had. Craig

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3571. Lone Face troupe, 06 Jan 2011 - I am seeking to find the tribal origins of “Lone Face & his daring troupe of North American Indians” who were advertised to perform with Lord John Sanger’s circus at Reading Berkshire UK , in March 1920. I believe it was one of the troupe who fathered a boy child with a local girl and his descendents would love to know more about their ancestry. Lesley Worstencroft, London, England. Reply to this message, replies go to this board, not to the message sender.

    Reply: 13 Jan 2011 - If you search for Lord John Sanger you'll find books that were written about his circus. The "show Indians" that were hired by circuses and other forms of entertainment were from the US Indian Reservations. Mostly the Sioux from the Pine Ridge Agency in South Dakota. They worked under contracts drawn up by the US Indian Agency. The records from Pine Ridge were given to the National Archives located in Kansas City, Missouri a few years ago. The records have not been cataloged as far as I know. They are available for research, and I have done some myself. I live too far away to do as much as I'd like. a researcher

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3570. Circus World, Florida, 05 Jan 2011 - I'm looking for the last date and year Ringling Bros. closed their Circus World in Florida just off I 4 and Hwy 27. I do know the first date but need the last date. If you could help it would be great. Thank you Arron. email Smcircuslot@aol.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 07 Jan 2011 - An excellent article by Don Stacey, about the Circus World, graced the pages of the Bandwagon in the Jan./Feb. 2008 issue as found on pages 4-14. You can get a back order copy of this issue by clicking on the wheel to your left, marked Bandwagon, going down just a few lines to ORDER BACK ISSUES and clicking that link. I hope this helps, Bob Cline

    Reply: 10 Jan 2011 - When the Feld's bought Ringling Bros and Barnum & Bailey back from Mattel in 1982 the toy company kept the theme park and although it continued to operate with a "circus" theme the Ringling-Barnum name was taken off of all promotional material, on-site attractions, etc. In April of 1986 land developer James Monaghan bought the park from Mattel and "Circus World" closed on May 13, 1986. The site was reopened as "Boardwalk and Baseball" on February 14, 1987 and operated by a division of Harcourt Brace Joanovich. At the time HBJ also operated Sea World and Cypress Gardens. Busch Entertainment Corporation bought "Boardwalk and Baseball" and the other parks from HBJ on September 28, 1989 and without warning at about 3pm on January 17, 1990 the park closed forever. The land at Interstate 4 and US 27 was unused until 2001 when developer Victor Posner bought the property and in 2008 "Posner Park" - a retail district consisting of several "big box" stores - opened. Chris Berry

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3569. Joseph Weston, 05 Jan 2011 - I am searching for info on my friend's grandfather Joseph Weston who worked for the Circus in England in the late 1920's early 1930's we are looking for any records or info. Any information on where to search for European Circus info would be greatly appreciated. My friend has a few photos of Circus performers that her Grandfather would bring home, and she knows for a fact he worked in a behind the scenes way(not a performer) for the Circus. Thank You for your time! Sincerely, Mrs. Crystal York. Reply to this message, replies go to this board, not to the message sender.

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3568. Big top floor plans, 03 Jan 2011 - I am looking for reference of bigtop layouts / blueprints of actual tent deminsions, would you have an idea where I could find these? I've done alot of searching and haven't been able to find any yet. Thanks, greg d. Reply to this message, replies go to this board, not to the message sender.

    Reply: 04 Jan 2011 - Circus tent data exists, starting literally from the 1825 introduction of the pavilion, as it was initially termed, unto today. Yes, the difficult part is knowing where to look. For the respondent, understanding exactly what you're seeking presents the challenge. Your general request, which could fill a book, can be converted into a manageable one if you can provide a time frame for your request, a specific circus title, etc., or some other meaningful limits concerning the knowledge desired. Fred Dahlinger, Curator of Circus History, Circus Museum, John and Mable Ringling Museum of Art

    Reply: 06 May 2011 - There are several very good books on tents and canvas structures. One was a huge volume - Architecture of the Circus published in the 1980's and which has lately come out in paper back. It is much easier to handle. You will see diagrams of interiors, measurements, etc. Tent making companies in Europe can issue you some information. The leading one is Canobbio in Italy - also Scala-Teloni in Italy makes a good tent. Just goggle them. Much of the seating, poles etc. are manufactured in small villages that also build carnival rides. Al Stencell

    Reply: 07 May 2011 - Some links, good luck:
    http://www.canobbio.com/
    http://www.anceschicarlo.it/
    http://www.cobertex.com.br/circos
    http://www.amteloni.com/
    http://www.atrealban.com/Catalog/Language1/Default.aspx?Page=0&Template=Default.html
    jim@stockley.co.za

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3567. Anna Rosenbaugh, 03 Jan 2011 - My grandmother "Anna Albertine Rosenbaugh", was a seamstress in a circus around 1920's and she met my grandfather on a tour that came to Harriston, Ontario Canada. Just wondering if anyone would have any information on her? Jim, Ontario, Canada. Reply to this message, replies go to this board, not to the message sender.

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3566. Charles Herman, aerial team, 31 Dec 2010 - Hi, I’m interested in learning about an aerial team, I thought it was two brothers, Charles Herman & possibly Walter Herman. Late 1800’s or early 1900’s – I found reference to 5 Hermans with Hagenbeck-Wallace Circus but cannot find any more detail. I also found a reference to Herman Brother performing with the Orin Coppele King 1884. Not sure if they are related. I’m the granddaughter of Charlie W Herman – he was dropped by his partner while performing on the trapeze and broke both wrists, when they set the wrist, he was not able to perform any more. He became a blacksmith and moved to Denver, where he married Emma Mayes. Charlie was born in 1865 in Massachusetts. If you have any information on the aerial group, please contact me. Elaine. A HREF="mailto:circushistory@gmail.com?subject=3566. Charles Herman, aerial team">Reply to this message, replies go to this board, not to the message sender.

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3565. Stanley and Hoxiel’s Wild West, 31 Dec 2010 - I am looking for any information on “Stanley and Hoxiel’s Congress of Rough Riders and Wild West Show” a show which exhibited on the west coast and was a featured attraction at the opening of Los Angeles’ “Luna Park” amusement park in June of 1911 (named after Luna Park at Coney Island). Although Parkinson’s “Directory of American Circuses” does not mention “Stanley and Hoxiel’s” is does make note of a “Stanley Bros Circus” which operated in 1919 under the ownership of Stanley Clyde Olinger (who also operated Olinger Bros from 1927 to 1934). I’m trying to find ANY background on “Stanley and Hoxiel’s” – and of course whether there is any connection between Olinger’s circus of 1919 and the wild west show of a few years prior. Chris Berry, email: circusposters@gmail.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 04 Jan 2011 - Thanks to those who responded to me directly regarding this question. It is now clear that my source material contained a typo - and it was actually "Stanley and Hoxie's Wild West" - which was a show put on by Dick Stanley and Jack Hoxie prior to Hoxie's entry into motion pictures. Dick Stanley "discovered" Jack Hoxie in 1909, and although there is no information on the Wild West Show in Parkinson's "Directory of American Circuses" Stanley, along with Bud Atkinson (owner of the Bud Atkinson Circus - 1912) apparently operated the Wild West Show during this period around 1910. According to one source, Stanley was from Oregon where he originated the "Stanley Bros Congress of Roughriders" (a title also not listed in Parkinson's "Directory of American Circuses" - though a "Stanley Bros Circus" operated by Stanley Olinger is). According to some sources Dick Stanley not only gave Jack Hoxie his start, but also "Hoot" Gibson. One report has Dick Stanley being killed in California on October 18, 1910 when a horse fell on him. That report says that upon his death it was discovered that his real name was Earl Shobe and that he had taken on the alias following an incident in Wyoming some years earlier where he had jumped bail after being accused of murder and post office robbery. In any event Hoxie did stay with the Stanley-titled Wild West Show as a trick rider for four years prior to his first film role. Jack Hoxie formed his own circus in 1929 and was a headliner on Downie Bros in the 1930s. Chris Berry

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3564. Jumbo the Elephant, 31 Dec 2010 - I have four different photographs of the dead Jumbo that were taken the day after his death on September 15,1885. At least three photographers are known. T.H. Scott, James Hopkins and W.E.Lindop. I also have a Cabinet photo stamped Eisenmann (I assume he must have purchased a negative or copied a photo). The best known of the photographs is the one with the crowd gathered around the body with a steam engine in the background (this was not the engine that killed Jumbo). I find it hard to believe that no one ever identified all those in the photo but no key has surfaced. Message 2084 id's some. I have about ten others. All the best in 2011. Thanks. Steve Peters, St. Thomas, ON, Canada. Reply to this message, replies go to this board, not to the message sender.

    Reply: 03 Jan 2011 - The photographs of Jumbo taken after his death were made sometime between the morning of September 16, 1885, and 1 PM on September 17, when Henry A. Ward and his crew commenced to dismember Jumbo's body. This means that the circus had already left town, going on to the September 16, 1885 date in London, Ontario, Canada, and that most of the people in the photographs were local and railroad people, and others that journeyed to the site out of curiosity. The train crew in the background are identified in the message 2084 posting, as you noted. At that time crews were often assigned to the same train and locomotive.
        The two showmen present in the most common print were Jumbo's long time keeper, Matthew Scott, positioned ahead of the beast's forelegs, and James L. Hutchinson, the show manager, who is standing between the legs. Hutchinson represented the interests of the circus, Scott had no other duty on the show subsequent to Jumbo's death and was presumably permitted to grieve his loss. There was little reason for anyone else from the show to remain at the scene or in the city; they were needed to continue normal circus operations. Thus, the identification of the remaining people is likely one of finding portraits of the locals and Grand Trunk railroad personnel [division manager, trainmaster, freight agent, road foreman of engines, etc., or their 1885 equivalents] and comparing them to people in the images. Fred Dahlinger, Curator of Circus History, Circus Museum, John and Mable Ringling Museum of Art

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3563. Hilton Sisters, 30 Dec 2010 - I am looking for anyone that might have personal knowledge of the Hilton Sisters, photographs, papers, etc. Leslie Zemeckis. Reply to this message, replies go to this board, not to the message sender.

    Reply: 31 Dec 2010 - You've got to read "The Lives and Loves of Daisy and Violet Hilton" by Dean Jensen. The author even managed to track down and interview one of the sister's husbands! - Tom H.

    Reply: 31 Dec 2010 - If you mean Violet and Daisy the conjoined twins, their material pops up on eBay from time to time. I have a great Riverside litho of them that I bought for one dollar when Central Show Print was clearing it's shelves about fifty-five years ago. Those come up sometimes but not for a dollar. Whitey

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3562. Emma Pearly, snake charmer, 29 Dec 2010 - I'm a fan and novice collector of carnival images. When they are identified, I like to know whatever history I can. I purchased an aged (1900-10 I'd guess) cabinet photo by J.J. Ginther in Buffalo of a very uneasy snake charmer woman. She is dressed late victorian and either she or the photographer were amateurs - the snake is a mess around her and she looks terrified. Identified in faint pencil on the reverse "Miss Emma Pearley (Pearly)" I wondered if anyone out there had heard of her or knew what circus she worked with. I appreciate everyones time, thanks so much, Natalie. Reply to this message, replies go to this board, not to the message sender.

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3561. Robert Cline, elephant trainer, 28 Dec 2010 - I am looking for any information for my Great-Uncle. Robert Cline who was the elephant trainer for King Brothers Circus in the late 70's. I believe he also was with Cole-Beatty at one time. This is NOT the Robert Cline on the circus history board (of that I am certain). I can remember the names of three of his elephants as Conti, Ola and Jackie I think. I was told he ran away from home and joined the circus at the age of 14 (in the 40's I believe). Any information would be appreciated. Thank you. Amy Kinney. Reply to this message, replies go to this board, not to the message sender.

    Reply: 29 Dec 2010 - I think Robert Cline first worked for Fred Logan on the Kelly-Miller show in the late fifties, then he was with Carson and Barnes working for Dick Shipley in the sixties and the last time I saw him was with King Bros in the seventies. But I think he also worked for Beatty-Cole. There was another elephant man called "Little Bobby" Cline who was also on Beatty-Cole, having come over there with Steve Fanning from the Cristiani show in 1960 when Beatty-Cole bought the Norma Cristiani five-act. I seem to remember that both these Clines were on Beatty-Cole at the same time. I knew them both and liked them both. Very capable elephant men and nice guys. The time I saw Robert on King Bros, he had heard I was on the lot and he just came and looked me up to renew old times. Sorry he's no longer with us. Whitey

    Reply: 29 Dec 2010 - Greetings, First you are correct in that I am NOT the Robert Cline you are looking for. Ironically there were three of us in the mid 1970's in the circus world. I've heard them designated as Big Bobby Cline and Little Bobby Cline and I was always Bob Cline. I believe they both worked for Fred Logan on the Clyde Beatty-Cole Bros. Circus. Ironically, I just received a letter in the mail yesterday from a school mate of one of them. This Robert Cline was from Apollo, PA. His parents were Mr. and Mrs. Clark Cline. I would suggest you go to Buckles blog at http:/bucklesw.blogspot.com and go through the search tool as the Bobby Clines have come up in discussions before. Buckles is the premier elephant historian in this country having worked with elephants for over 50 years and his father before him as well. Legally it's Robert, but everyone calls me Bob Cline.

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3560. Lafe Lewman Bulldogging, Auto, 22 Dec 2010 - My name is Nikkie Cooper, I am the curator at the local history museum in Fort Morgan, Colorado. I have a photo in the collection that is titled “Lafe Lewman bulldogging from auto” “by Thomas”- the photo is taken in a rodeo arena in front of a large covered grandstand at the Morgan County Fairground in Fort Morgan. On the back of the image is written “Movies being taken from car and right after this pic taken, car ran over bulldogger Lafe Lewman.” I am trying to determine if the footage from this rodeo exists. If anyone has can help point me in a direction for further research I would appreciate it. I can be reached via email at research@cityoffortmorgan.com. Thank you for your help, Nikkie. Reply to this message, replies go to this board, not to the message sender.

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3559. Merry Christmas to All!, 19 Dec 2010 - I wanted to wish You and Yours a Very Merry Christmas and a Happy New Year! Joseph Atterbury. Reply to this message, replies go to this board, not to the message sender.

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3558. Thayer's Annals, 18 Dec 2010 - My name is Greta Hsu, and I am a researcher at the University of California, Davis. I am looking for volume 3 of Stuart Thayer's Annals of the American Circus (1848-1860), Seattle, WA: Dauven & Thayer. Please let me know if you are interested in selling (or loaning) a copy of this volume. Thank you. Reply to this message, replies go to this board, not to the message sender.

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3557. Book, "Tent to Tent", 18 Dec 2010 - Can you please tell me when the book by Marian Matyn, "Tent to Tent, Circus history in the Great Lakes" [will be published]. Thank you for your time, Andy Jackson. Reply to this message, replies go to this board, not to the message sender.

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3556. Jay Gould Circus, 16 Dec 2010 - My name is Jackie Henin and I am a Great Granddaughter of Jay Gould, who had Jay Gould’s Million Dollar circus. I am trying to gather any history, data, photos etc. on his circus. Any information anyone would be willing to share would be greatly appreciated. Jackie@travelsbydesign.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 04 Jan 2011 - Hi, The Hutchinson, Minnesota Historical Society Museum has a collection of Jay Gould's endeavors. You can probably find them in the Google Books, Billboard collection of the 1940s. Don't know if Buckle's Blog has anything about them. Della Gould Emmons wrote, "Jay Gould's Million Dollar Gems" in 1974. I don't know if it ever went on the market. They had a box full without covers when we visited in Glencoe in 1992 or 93. My sisters and I were each given a copy. I can copy some pages if you post an email that works. The Hendersons, Lew Henderson Players tent rep company, and the Goulds were friends in the 1920s and 1930s. I don't remember ever seeing any of their performances as we were always working. We went into circuses in the 1940s. a Henderson.

    Reply: 22 Feb 2011 - Hi Jackie, My grandfather (Ken Marsh) was a friend of Eddie Gould and toured with the circus doing odd jobs for a few summers in the late 1930's. I have a copy of Della Gould Emmon's book if you can't find it elsewhere. It is a bit rambling and I've been informed by several longtime members of the Jay Gould's circus that it contains numerous inaccuracies. It is a good jumping off point, though. I have some material photocopied from various circus history museums and have a video made by Leo Albrecht/Albright that shows a lot of the circus's acts from the early 1950's. I have a circus poster and a few things I've bought off eBay. I've put up a photo gallery of Jay Gould stuff (most of it sent to me by Leo Albrecht) up at http://www.flickr.com/photos/dansflickrfeed/sets/72157625014856565 Feel free to contact me if you have any questions. Daniel Marsh, danmarsh@gmail.com

    Reply: 06 May 2011 - My second book, Seeing Is Believing has a chapter about circuses on midways. In it I cover Jay Gould's Circus as it was a combination midway and circus. I believe he may have pioneered the idea but Paul Miller was the real king of these types of shows. The free circus acts were a come on for the flat stores (controlled games of chance) and the rides. My book has a photo of Jay Gould. I also have the book about him which is not very helpful and poorly done. Al Stencell

    Reply: 29 Jul 2011 - I traveled with jay Gould’s circus for 2 years and my father, who was a performer was with Jay for 7 years. I married Jay Gould’s granddaughter. Her mother was Gloir Gould, who played the calliope for the circus performance. Contact me at my email address, lja50us@gmail.com, I’m sure I can give you a lot of info. How are you related to the Goulds? Leo

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3555. Acts, White City Pleasure Grounds 1920, 15 Dec 2010 - Hi, I'm researching something for a piece of non-fiction writing. Nothing has come up through online searches, but I'm hoping that sending you an email may throw up more information. Essentially I am looking for information about the opening weekend events for a place that existed in Kingston-upon-Hull (United Kingdom) for around 20 years. It was called the White City Pleasure Grounds and the opening day was 22nd May 1920. I have names of the artists that took part in the opening night (and brief descriptions of their acts), but I am struggling to understand what these acts consisted of. I'm sure you'll appreciate, it's difficult to write about something that you cannot picture or fully understand. So here are the different performers that I have found out about, and if you could help me out by shedding light on what these acts may have been like, or even any additional information I have not come across before, I would really appreciate it.

Hot air balloon ascents and parachute descents organised by Prof. Newell and Miss Elsie Haben;
Caro Magda, the aerial gymnast;
Carlton & Hill, acrobatic eccentrics - that's all the information I've found, very intriguing, but far too ambiguous!;
Pauletti, a trick cycle act;
The De Roys, comic jugglers;
The Montanas, a comedy act;
The Arleys, a jumping act;
Los Zelovas, band balancers;
Charles Ulrick, the barrel king;
Maro Duo on the three bars;
Petro & Leon on a slack wire;
There were American jazz bands - sorry, that's as far as any reference to them goes;
A military band led by Capt. Dan Godfrey.

I know this may be a long shot, but anything you can find would be very welcome. If you need any further information, just let me know. Thank you, Matthew Reply to this message, replies go to this board, not to the message sender.

    Reply: 22 Dec 2010 - Unlike ballet and dance, there is no lexicon of terms to describe most of the acts listed in the program you referenced in your listing. One can assume that these performers did the standard turns common to these presentations; basic elements remain in use today. Go out and watch some similar acts and speak to the performers; they will likely be quite helpful in explaining basic maneuvers to you. If you learn in general about slack wire acts, hand [not band] balancers, ground acrobats, three offset parallel bars, single trapeze, trick unicycle and bicycle, strong man [barrel], juggling and clowning, and perhaps teeterboard [jumping?], you will have a pretty good idea as to the activity witnessed by the 1920 audience.
        Some acts were represented by agents who published illustrated catalogues. These sometimes contain illustrated representations of the acts, showing them in various poses. You might also check available on-line film coverage of vintage acts, in circuses and on stage in clubs, theaters and the variety stage, as well as outdoor. Still photography that was used for publicity often captured performers frozen in position during the course of their act.
        If you haven't already checked, issues of the British show trade journal "The World's Fair" might prove useful. Jumper Books [on-line] and others deal with volumes pertaining to British amusement parks. You might look into them as such acts often moved from one site to another. You might also contact the fairground archives at Sheffield University, which has extensive holdings. Fred Dahlinger

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3554. Greta Frisk, 14 Dec 2010 - Danish born trapeze star Greta Frisk came to USA in 1952 or 1953. She spend the first two seasons with Ringling and later with various other circuses, including Shrine circuses. For several years in the 60s she was with Beatty Cole together with her husband bike act 6 Frielanis. Her last season with Beatty Cole was probably 1968. She passes away in 2000 or 2001. I have heard that she once has a dramatic fall from her trapeze but her husband saved her life by catching her. Do any of you have details in this incident. Ole Simonsen, www.circus-dk.dk Reply to this message, replies go to this board, not to the message sender.

    Reply: 14 Dec 2010 - Found on NewspaperArchives.com - Judy Griffin
        MIAMI. Fla. (AP) - As 2,000 spectators gasped, trapeze performer Greta Frisk plunged 40 feet—straight into the arms of her husband who raced to the scene. "I caught you," Fritz Frisk told his wife, who sprang from a trapeze in a flip-around motion but failed to grasp the bar after she had turned. Bandsmen stopped playing, and the crowd gave the couple an ovation. Circus manager John Pugh said the couple probably would have medical checkups today. Neither appeared seriously hurt from the fall, which happened Sunday night at the Clyde Beatty-Cole Bros. Circus. Frisk has a bicycle act with the circus. - Daily Times (Salisbury, Maryland) November 2, 1965.
        MIAMI, Fla. (AP)—A high act trapeze performer was caught by her husband Sunday night when she fell 40 feet in the center ring of the Clyde Beatty-Cole Bros, circus before 2,000 spectators. Neither was reported injured seriously. Greta Frisk, an attractive blonde, sprang from the trapeze in a flip-around motion. She grasped for the bar, touched it and fell. There was no safety net. Her husband Fritz raced forward, arms extended. The impact sent them sprawling. - Independent (Long Beach, California), November 1, 1965, p. 1.

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3553. Emil Popescu, 14 Dec 2010 - I worked in the circus with Emil Popescu in South Africa, Sweden, Finland and Norway. I reside in Belgium now. I have lost contact and am trying to reach him. Can you help? Thanks and kind regards, Culot Christine. Reply to this message, replies go to this board, not to the message sender.

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3552. Mills Bros. Circus, 13 Dec 2010 - My girlfriend Susan Brazaskas ( not sure of spelling) was a dear friend of mine in elementary school. Her father Felix ran the Mills Brothers Circus. They were from England. The sister's name was Mary. Anyone know what happened to them? Susan. Reply to this message, replies go to this board, not to the message sender.

    Reply: 15 Dec 2010 - Felix "Fats" Brazon indeed was the general superintendent on the Mills show for many years. The show closed for good after the 1966 season. The equipment and animals were sold off and Jake, Jack and Harry went in different directions as far as circus was concerned. Jake was involved with Russian dates produced here. Jack bought out some time from Hoxie Tucker in 1970 and 1971 and promoted the dates. Harry co-produced with Sid Kelner a few dates and ran concessions as well. However, the Mills Bros.Circus never toured after 1966. Felix was married to Bluey and had a brother Wally who also worked on the show. Hope this helps. Jerry

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3551. Coney Island's Dreamland Somalis, 10 Dec 2010 - Greetings to all, I am researching about a group of African side show performers (may be Somalis from the port of Djibouti) who were brought to Coney Island's Dreamland by Samuel Gumpertz probably around 1913 or 14? May I, therefore, please have help of the message board in locating any information or records in any form about the history behind this group or Samuel Gumpertz and his travels to Africa as Dreamland official agent? Your help is highly appreciated. Bo. Reply to this message, replies go to this board, not to the message sender.

    Reply: 22 Dec 2010 - The Coney Island amusement park called Dreamland burned on May 27, 1911. It is a subsequent activity of Samuel Gumpertz that you are seeking, unless your date is in error. He managed the real estate that was formerly the Dreamland site. Gumpertz operated the Dreamland Circus Side Show in the area, and perhaps it was the facility that housed and featured the Somalis of interest to you. I would recommend checking the weekly trade journals "Billboard" and "New York Clipper," as well as metro New York City newspapers. It is also possible that immigration records may provide insights on the specific people who came here.
        The best piece I've seen on Gumpertz's early years was published in an early 1930s issue of "Greater Show World," which is not readily available. Fortunately, it was reprinted in its totality, but without a credit to its original source, in "Bandwagon," 24, 3, page 31. New York Public Library has a file of "GSW" issues that could be checked for the exact source. Gumpertz was once featured on the cover of that journal.
        Following earlier activities in show business, Gumpertz came out of the St. Louis amusement park trade and went to work under Senator William H. Reynolds when the latter formed Dreamland at Coney Island for 1904. It was a "me too" response to the unprecedented financial success of Luna Park in 1903. Luna set off a boom in amusement park construction across the nation, and to a degree overseas. The other Dreamland principal was a New York area brewer named Joseph Huber. A prominent concessionaire, builder and operator of "Creation" at the park was Thomas Ryan of Philadelphia, who committed suicide in 1912. Others likely invested monies in various shows, rides, etc., at Dreamland, which was a common practice to minimize owner capital.
        Issues of "Billboard" and "New York Clipper" in late 1903 to early 1904 document the origin and opening of Dreamland. More can also be found in Pilot and Ranson's "Sodom by the Sea" [pages 160-173] and Edo McCullough's book "Good Old Coney Island." There is an abundance of further coverage in local newspapers, the "New York Times," "Brooklyn Daily Eagle," etc. The property was assembled from two or more parcels, with politically-connected Reynolds getting the local authorities to vacate a street so that the pieces could be made into one contiguous site. Land control, by ownership, leases and legal maneuvering, then as now, has been the single most important issue in the existence of Coney Island.
        Reynolds really kept Gumpertz under his thumb, according to one period account, not allowing him the authority to so much as issue a complimentary pass to the park [1906]. There's an image of Gumpertz and an his identification as one of the most experienced men in the park trade, already in 1909 [which is a definitional matter]:
    http://books.google.com/books?id=mA3ZAAAAMAAJ&pg=PA224&dq=%22samuel+w.+gumpertz%22
    &hl=en&ei=SbqcTOb4HoGgnwehmamSDQ&sa=X&oi=book_result&ct=result&resnum=6&ved=0CDoQ6AEwBQ#v=
    onepage&q=%22samuel%20w.%20gumpertz%22&f=false
        There are period portraits of Gumpertz in "Billboard," March 20, 1909, page 13, and of Reynolds in the same journal, the June 9, 1906 issue, page 24. Gumpertz was featured on the cover of "Billboard" twice, on June 18, 1910 and again December 27, 1913. By then he was presumably no longer in Reynolds' shadow.
        Following the May 27, 1911 destruction of Dreamland by fire, Gumpertz and associate William Greve bought and controlled the Dreamland real estate and became dominant players in Coney Island land use. He served as receiver for the Brighton Beach race track in 1913:
    http://query.nytimes.com/gst/abstract.html?res=FB0616FC3C5B13738DDDAB0A94DB405B838DF1D3.
        I would not be surprised to learn that he may have participated in the "resolution" of other major properties in the West Brighton and Brighton Beach areas. The Eden Musee came into Gumpertz's possession. He served as President of the Coney Island Board of Trade in 1922, and probably in other years, too.
    http://query.nytimes.com/gst/abstract.html?res=FB0D16FA39551A738DDDA00994DE405B828EF1D3.
        Gumpertz was involved with the big Half Moon Hotel on Coney Island [1927]. Gumpertz operated the Dreamland Circus Side Show and between that and earlier Dreamland attraction hirings [both circus acts and sideshow personalities] he likely developed his friendship with John Ringling. David C. Weeks' book "Ringling, the Florida Years, 1911-1936," has material about the Ringling-Gumpertz friendship and association [pages 84-87 and more]. He errs in crediting Gumpertz with directly building Dreamland; Reynolds et al accomplished it. The Sarasota newspapers will have material about Gumpertz's local investments, his ascendancy to the circus management, etc. He invested in Sarasota real estate. His personal residence there has been demolished, but is documented in photography.
        It is possible that the 1929 Depression caused a downturn in Gumpertz's local Coney Island fortunes, possibly suggesting that his movement into the circus field was provoked by opportunity and inside knowledge of Ringling's finances and that of Ringling Bros. and Barnum & Bailey Combined Shows. Much of Gumpertz's activity as an investor, personally or in a partnership known as Allied Owners, and possibly the Prudence Co., Inc., is likely unknown, save for documentation in legal documents. These firms became involved in the financing of John Ringling's personal debt and also that of the RBBB Combined Shows, in a rather complex series of arrangements. Gumpertz was profiled in "New Yorker," May 6, 1933, page 29 [and perhaps more pages].
        Henry North's book "Circus Kings," chapter XIV, is titled "The Man from 'Dreamland,'" which is all about Gumpertz's involvement with John Ringling and the circus. Gumpertz had become a close personal friend of John Ringling and it appears that he became part of the plan conceived by John M. Kelley, William Greve, Edith Ringling and Aubrey Ringling to unseat John Ringling, incorporate the circus and change leadership by installing Gumpertz in charge. His involvement may have been driven in part by his desire to protect his investment, but there may have been other personal considerations by becoming the head of the world's largest circus enterprise. Gumpertz, contrary to popular thought, never held an outright, personal ownership interest in RBBB and was strictly a hired vice-president and general manager. His financial investment would have been via his participation in the debt-holding firms. He was not a member of the RBBB, Inc. board governing the circus. North's account is somewhat biased against Gumpertz, who replaced his uncle as de facto head of the Ringling family circus operation, but is not an outright condemnation of him.
        Joseph T. Bradbury wrote a series of articles about the Gumpertz-managed seasons of RBBB Combined Circus [a Gumpertz-mandated name change] for "White Tops," covering 1933-1937 [issues 47-6 to 48-3]. They describe in detail his circus activities during those years. While some have offered the opinion that the show property deteriorated under Gumpertz, Bradbury offers explanation to the contrary. Gumpertz also continued the operation of the RBBB-owned Hagenbeck-Wallace Circus through 1935 and leased it to others for 1937-1938; and continued to operate the RBBB-owned Al G. Barnes circus through 1937. However, other than some highly-billed sideshow attractions, Gumpertz did not take flagship RBBB forward, progressively, as reflected in the immediate activities taken by John Ringling North in 1938 and thereafter. Dexter Fellows book "This Way to the Big Show "includes a studio portrait of Gumpertz and coverage of some of his aggrandized sideshow attractions.
        Following Gumpertz's departure from the circus little was heard about him. In at least 1942 and 1945 he figured into George Hamid's ownership of the Steel Pier in Atlantic City, NJ, as a manager.
    http://books.google.com/books?id=uhEEAAAAMBAJ&pg=PT47&dq=%22samuel+w.+gumpertz%22
    &hl=en&ei=OrycTLjwJofMnAeZ1J2fDQ&sa=X&oi=book_result&ct=result&resnum=3&ved=
    0CC0Q6AEwAg#v=onepage&q=%22samuel%20w.%20gumpertz%22&f=false
        Circus World Museum has a modest sampling of Samuel W. Gumpertz personal papers, a collection that sheds little light on his show-related activities. I believe that it was assembled during his later life in Sarasota, and deals more with personal matters. I recall newspaper clippings and perhaps one or more scrapbooks [scrapbook numbers 9 and 11, by one note]. They surely also have some photos of him. He was married twice and had no children. I have encountered several different years for his birth.
        Gumpertz died on June 22, 1952. One obituary is in "Billboard":
    http://books.google.com/books?id=lh4EAAAAMBAJ&pg=PA56&dq=%22samuel+w.+gumpertz%22
    &hl=en&ei=SbqcTOb4HoGgnwehmamSDQ&sa=X&oi=book_result&ct=result&resnum=3&ved=0CC0Q6AEwAg#v=
    onepage&q=%22samuel%20w.%20gumpertz%22&f=false
        Fred Dahlinger, Curator of Circus History, Circus Museum, John and Mable Ringling Museum of Art

    Reply: 04 Jan 2011 - Thank you so very much for your valuable timely reply and information about my search. I am now more clearly informed about Samuel Gumpertz and his long history with circus sideshows including the African group I was researching. Bo

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3550. Bruno Family, high wire, 10 Dec 2010 - I am looking for information on a high wire act called The Bruno Family back in 1948 to 1953. Bruno Trostl is the brother of Arthur Trostl - The great Arturo - How brought them over from Austria in 1948. Thank you Bob - rwdowd@verizon.net. Reply to this message, replies go to this board, not to the message sender.

    Reply: 07 Mar 2013 - The Bruno Family "came to this country by ship around 1949 to New York there were five in the family" Bruno sr., Elanoria, Bruno jr, Erick, Inga. They worked for Bruno's brother Arthur Trostl (the great Arturo) and Shrine circus and Hammed-Morton and others. I would like all the information I can get on this family. Thank you, rwdowd@verizon.com, Robert W. Dowd

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3549. William Henry Hough, 08 Dec 2010 - I am seeking information on the early career of William Henry Hough, b. 1818 Potsdam, NY, d. 1903 Detroit, MI. According to Olympians of the Sawdust Circle, Hough was business manager, Robinson & Lake, 1864-65; agent and business manager, John Robinson’s, 1864-68; announced retirement, February 1868; nevertheless, agent James M. French’s, 1869; agent, P. T. Barnum’s, 1872-73; press agent, VanAmburgh’s, 1879-80. It appears that in the mid-1850s he was married in Chicago to the actress Lottie Hough, who divorced him in 1863. Subsequently he moved to Detroit where he and his brother Garey collaborated in a number of theatrical enterprises.
    In a 1877 interview, Hough claimed to have had a show that traveled by railroad as early as 1843. It was known as "Hough's Great Original Itinerandum" tent show. He said that in 1843 he was arrested and fined in Albion MI for lack of a permit. (REMINISCENCES Detroit Free Press (1858-1922); May 29, 1877) This is very early for a show to be traveling by railroad and I have been unable to confirm this statement in the standard histories.
    I am also very curious about how Hough got from being the son of a Potsdam farmer to his colorful career, spanning according to press stories "everything from grand opera to performing dogs. Also, I would like to get some primary source documentation of his marriage to Lottie (Fowler) Hough. Any information greatly appreciated; please email to jbarry6899@aol.com. Reply to this message, replies go to this board, not to the message sender.

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3548. Mike Wessinger, 07 Dec 2010 - I am looking for information concerning the Hagenbach Circus and Mike Wessinger of Peru, Indiana. He was supposed to be in charge of the circus properties and was circus boss. I am interested in knowing when he worked for this circus. When was the Hagenbach circus in business? When did Mike Wessinger work there? Thank you, Leslie A. Vollnogle, Curator of Collections, Stuhr Museum of the Prairie Pioneer. Reply to this message, replies go to this board, not to the message sender.

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3547. Circus cookhouse, 06 Dec 2010 - Where would I find the history of the cookhouse, origination, etc. Marilyn. Reply to this message, replies go to this board, not to the message sender.

    Reply: 06 Dec 2010 - Take a look at Stuart Thayer's article on this website: http://www.circushistory.org/Thayer/Thayer1d.htm. J. Griffin

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3546. Circus Ciniselli, 06 Dec 2010 - currently I am undertaking a scientific research work about the Italian Painter and Poet Salvator Rosa (1615-1673). The special field is actually: Salvator Rosa on stage in the 19th and 20th century. Between the material I found until yet there is a: Grosse equestrische Balletpantomime named: Napoli oder Salvator Rosa und die Banditenfuerstin, which was performed 1881 in Riga by Andrea Ciniselli. The plot I received from Derra de Moroda Archiv, Salzburg. But this is the only information I got. Therefore I am seeking for further sources about this Ballet and I ask you for help. Especially I am looking for the numbers and places of performances, illustrations and contemporary reports due to this ballet. I would be very grateful if you could support my studies. Thank you very much for help in advance and I am looking forward to hearing from you. Sincerely Yours, Walter Regel, Universitaet Freiburg, Germany. Reply to this message, replies go to this board, not to the message sender.

    Reply: 09 Dec 2010 - Walter, Dramatic pieces using horses were very popular in the circus of the 19th century in Europe. Famous battles were very popular, but so were pieces based on poems and paintings. Byron's Mazeppa, for example. The Ciniselli family were very famous in Italy and travelled all over Europe. I don't know much about Rosa, but I think he was from Napoli and liked painting bandits - which means somebody probably wrote a drama based on one of his paintings which was then adapted for the circus. If you need detail on what a "balletpantomime" looked like you can read one of the books by A.H. Saxon: Enter Foot and Horse, or The Life and Art of Andrew Ducrow. If you are looking for places, performance reports and illustrations then you should be looking at newspapers, magazines and playbills from the 1880s. I hope this helps. Rgds, Dave P

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3545. Phil Escalante, 28 Nov 2010 - I am looking for information on what seasons wire walker Phil Escalante was with Cole Bros. I suspect it may have been during the period that the show was owned by Arthur Wirtz. Chris Berry. Email: circusposters@gmail.com. Reply to this message, replies go to this board, not to the message sender.

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3544. Perley Silloway, 01 Dec 2010 - Perley M. Silloway was an early member of CHS (1940) and CFA (1928). He authored interesting and well-written articles on the circus for White Tops, Billboard and Bandwagon. His obituaries stated that he left Illinois in 1898 to become a school principal in Montana; but he returned to Illinois circa 1910, when he managed a motion picture show and was the owner of a one-ring circus that traveled in Illinois until circa 1919. I haven't been able to find the name of the circus he owned or any information on it. None of the articles he wrote that I've seen mention that he owned a circus. I've checked Sturtevant and Parkinson, etc. with no result. I haven't checked with the library at Circus World Museum. Anyone have a lead on Silloway's circus or if he actually owned a circus? Judy Griffin. Reply to this message, replies go to this board, not to the message sender.

    Reply: 05 Dec 2010 - The 1910 and 1920 censuses list Perley Silloway as a teacher and public school superintendent, respectively [Verdin, Macoupin County, IL; Peona, Peona County, IL]. That means he was working constantly through the typical school year and free during the summer recess. He may have been one of many people that outfitted a modest traveling show, through "Billboard" or "Clipper" ads, hired some people, and played the local area. Most had a tent, others could play school gyms, township halls, whatever was available for booking cheap. Some were quasi-picture show, showing films with some variety acts, termed a "circus" by despite lack of a ring, animals, etc. There were many such outfits that never garnered a mention in the national trade papers, being totally local. The best place to confirm the existence of such an outfit is in the local newspapers, though sometimes they had no advance, just appearing in the streets and relying on word of mouth in entertainment-starved little farmland communities. Sometimes ownership of a "show" was concealed as segments of a population may have moralistically judged it an inappropriate activity for an educator. Thus, you may not find Silloway's name affiliated with it. Local history volumes and memoirs, especially those published in conjunction with the anniversary of a local settlement, often mention such activity. I would be surprised if you didn't find some mention of teacher Silloway as some sort of a traveling showman in one of them. Silloway and his wife had at least two sons, Herbert and Ralph, and perhaps their children are alive today? There is one Silloway listed in the directory for Evanston, IL. Silloway brings to mind Wayne Franzen, the central Wisconsin public school educator who went on to become a respected and well-liked circus man. Fred Dahlinger

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3543. Vicki Muralli, 28 Nov 2010 - Violet E. (Vicki) Muralli - RRBB 1943 - 1946. My mother was a member of the Reynolds and Donegan Skaters which joined the RRBB Circus in 1943. From 1944-46 she was a member of the accounting/general offices in Sarasota, FL. My mother was born in 1926 and left home in 1940 at 14. She died in 1965 when I was only 14. There are only some pictures to even give me a clue as to whom she was and no living relatives since her death. She married my father, Robert A Davis, in October, 1946, in Sarasota, FL. Annette Reffalt, Perkinston, MS. Reply to this message, replies go to this board, not to the message sender.

    Reply: 02 Dec 2010 - Annette - Sverre Braathen was a circus fan who took and catalogued hundreds of photographs of circuses performers… and it is possible you may be in luck. If you go to the website: http://tempest.lib.ilstu.edu/cdm4/search.php and search for Reynolds and Donegan you will find four color slides that he took of the troupe in Milwaukee in 1944. You mentioned that in 1944 your mother was in Sarasota – but you may still want to check out the photos. Although the women in the pictures are not identified by name, if by chance she was traveling that summer you may be able to find your mother in the group of women. Good luck! Chris Berry email: circusposters@gmail.com

    Reply: 23 Feb 2011 - My aunt was also a skater in the Helen Reynolds all girls skating. There are some pictures in various articles and books and I think one book is called Crazy Skate which shows the troupe. Alberta Voise is still living in the Detroit area and her daughter would have some access to photos. My aunt did mention names like Thelma Cooper, Alberta's sister, Margaret Hill, Jean, Judy, Wilbur Richie? and Helen Reynolds. Not sure if this help your search. I believe I have one pic that I could share with you. Craig.

    Reply: 14 Mar 2012 - Craig, Thank you so much for your reply. I haven't been back on the hunt until recently and was pleasantly surprised to find two replies, especially since so long has passed since my mother was with the circus. I would like to get in touch with your Aunt if possible and see if she has any information and would like to share about my mother, Vicki Muralli. I have recently been in touch with James Rhinehart who is the brother of Miriam Rhinehart also one of the skaters at that time. He and I have been exchanging emails and photos. Thelma Cooper is in some of the photos I have of my mother, as are Bea, Lois Grant, Helen Vito, Dottie Ward, Pattie Warfield, Dolly Johns, to name some of them. It seems as the reports I have read that the ladies were always changing since they were young, pretty and married off very quickly. Feel free to contact me at adbreffalt@aol.com. Thank you again for your response. Annette Reffalt, daughter of Vicki Muralli

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3542. Hubert Castle, 27 Nov 2010 - My name is Edward Smith, a grandson of Hubert Castle, aka Hal Smith. Please let know if you have any posters, photos, or films of him? Thanks, Ed Smith. Reply to this message, replies go to this board, not to the message sender.

    Reply: 12 Dec 2010 - Look for a poster of Hubert Castle www.circusmuseum.nl/eng. Best-Otte

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3541. Circus memorabilia gift, 26 Nov 2010 - I am trying to find a source to buy some authentic circus memorabilia for my wife for a Christmas present. Do you have any sources you could put me in contact with? It would be greatly appreciated! Thanks so much. Jan. Reply to this message, replies go to this board, not to the message sender.

    Reply: 28 Nov 2010 - That all depends on what you are looking for. Memorabilia covers a wide variety of possibilities. Certainly the most accessible source is eBay. Look under Collectibles / Historical Memorabilia / Fairs and Amusement Parks / Circus and Carnivals. There is a wide variety of items available such as photographs, route books, programs, tickets, posters and side show banners.
        You can check out some of the better auction houses such as Potter and Potter in Chicago which will be having a large Circus Poster auction in March. You can scan through Overstock.com or Amazon.com for new circus related items such as books, train sets, or DVDs and Music CDs. There are privately operated websites that have circus items for sale as well. Explore the internet from the leisure of your home to start an amzing discovery into what is available of Circus memorabilia.
        You can also Join the Circus Historical Society (the application link is on the home page) and come to the 2011 Convention that's going to be held in Cincinnati. We have a huge auction of circus items that are donated with all proceeds helping the CHS. Last year had numerous signed checks by the Ringling Bros. some really rare circus letterheads and turn of the century newspaper advertisements. I place the auction items in a rarer class than that found on the internet and well worth the time and money spent on hard to find items at the auction. I hope this helps. Bob Cline

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3540. Circus, UK/Ireland 1970s, 25 Nov 2010 - My name is Joanna and I am writing to you from Ireland. I am looking a person who may have a keen knowledge and historic information of circuses in UK and Ireland in the 1970's and hopefully you can direct me to such person. I came across your email on the internet. I am pacifically looking for information regarding a circus that took place in 1978 in Knowsely (near Liverpool, UK), possibly named Belle Vue Circus, that may of gone on fire. There is a witness sighting at the time that a young child died at the fire and was unidentified and subsequently buried. I may believe that this is this child is a missing person and the family are still looking for her. All I need to know to know is was there such a Circus, such a fire and if this Circus may of ever visited Ireland/ Northern Ireland in the 1970's? I know this is a lot of information from a stranger but I hope you can help and you may be aware that this is a sensitive and important subject. Thanks you so much, Joanna Hickey. Reply to this message, replies go to this board, not to the message sender.

    Reply: 26 Nov 2010 - Hello Joanna, Belle Vue Circus was in Manchester not Liverpool. It was a building which ran a Christmas circus every year from 1922 to 1981 - there is a good article at http://manchesterhistory.net/bellevue/phil2.html - so obviously, it never travelled. I was working in circus in England in the '70s and don't recall a circus fire with an unidentified child as a fatality. In fact, I find it hard to believe that the UK police would bury a young child as 'unidentified', between the police and the media it would have been a huge story? If you can try to give me a bit more information I can post your question on one of the UK circus boards and ask people who were also around what they remember? jim@stockley.co.za

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3539. Circus Renz, 24 Nov 2010 - Hi, I wonder if you can help me. My great grandfather Alfred Morton and his brother William Morton worked in Hamburg from about the 1840s to the 1870s making gas chandeliers for Circus Renz. I am wondering if you can tell me anything about this circus. Also, I have been told that in the 1870/80s there was a horse rider in Circus Renz called James Morton and am wondering whether this is my great grandfather's eldest child who was born in Hamburg in 1851/2. Any help you can give me would be greatly appreciated. Thank you. Xanthe Duffill. Reply to this message, replies go to this board, not to the message sender.

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3538. Roy Murphy, 23 Nov 2010 - I am searching for any photo of Roy Murphy, trick cyclist – also performed with "The Wheelers" throughout Australia and the world. Thank you, Suzanne. Reply to this message, replies go to this board, not to the message sender.

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3537. John Ringling at White House, 22 Nov 2010 - John Ringling at White House. On May 14, 1925, during the annual appearance of the Ringling Bros and Barnum & Bailey circus in Washington DC, John Ringling visited the White House. I am looking for any information on that visit. What was the purpose of the meeting? Did he actually meet with President Coolidge during that visit? Chris Berry, email: circusposters@gmail.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 27 Nov 2010 - Ralph Caples, a railroad man, was a friend to John Ringling and also Warren G. Harding. Caples managed the Ohioan's campaign train in the fall of 1920, when he was elected to the presidency. It provided Ringling with a link to the White House, though there was apparently never a meeting of Ringling and Harding [despite chatter that they were close friends and a later source says they played poker frequently]. Ringling bought a home on Bird Key that he proposed as a winter retreat for the president. Harding died prematurely, before that invitation was fulfilled. The home was subsequently occupied by Ida North and her sons.
        May 14, 1925 was also a day on which RBBB played Washington, D. C., which was an annual event. Mrs. Coolidge attended with Mrs. Sargent, coming early and remaining to the end [per the New York Times], but the president apparently did not view the show. The November 29, 1947 issue of "Billboard," pages 71 and 110, has an article about occupants of the Oval Office and the First Ladies that took interest in the circus. Mrs. Coolidge looms large in the discussion as an ardent circus fan of the first order. Perhaps John well knew that pleasing the First Lady would have been a means to curry favor with her husband?
        There's a Pete Mardo photo showing Coolidge and Ringling in the circus audience. Perhaps John hosted the president and his spouse, from home to circus and return, in the days before a president's movements were much more covert? Coolidge and wife, with the daughter of the White House physician in tow, also visited RBBB in 1928. Several photos exist portraying a smiling John Ringling, as a genial host, in affable conversation with Coolidge, his wife across the aisle.
        In 1925-1926 Ringling was continuing to nurture his major Florida investments. The boom was on the verge of going bust and several factors were hampering the local economy. Ringling probably visited Coolidge to stimulate interest in reviving the state's economy, as John did, to a degree, by relocating the RBBB winter quarters to Sarasota a couple years later. His interests were then broader than the circus, in FL real estate, the oil patch, railroads and so on.
        The index to David Weeks's book, "Ringling, The Florida Years," lists a Ringling-Coolidge meeting, but fails to deliver in the text [page 106 is given], as far as I could discern. Other material therein does provide a context for Ringling's actions. The Sarasota papers might provide coverage of any Coolidge-Ringling meeting. Fred Dahlinger

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3536. White Tops Article "Come Hell or Come High Water", 22 Nov 2010 - My name is LJ Jackson. I'm having trouble finding an article from the 1942, volume 15, #9-10, page 15 version of The White Tops Magazine. Online checks of them for sale brought nothing, and no circus museums/libraries are near me. Any additional info about the author, Dorothy Zeeryp, would be appreciated. I understand she was well known at Ringling Brothers, as a friend, not employee. Thank you. Reply to this message, replies go to this board, not to the message sender.

    Reply: 24 Nov 2010 - Thanks to Judith Griffin, I now have a copy of the article. If anyone else has additional info on the author [Dorothy Zeeryp], I'd appreciate it. Thank you, LJ

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3535. Calliopes, 18 Nov 2010 - Any leads please on calliope people or parts please? We are looking to build one in Austin Tx. Thanks, Samantha. Reply to this message, replies go to this board, not to the message sender.

    Reply: 19 Nov 2010 - Steam or compressed air? Fred Dahlinger

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3534. Lillian Leitzel, 18 Nov 2010 - Dear friends. My name is Roy Maloy, I am in Australia and a full time, dual world record holding circus artist. I am currently researching my third circus book and am looking for anyone who happens to have original photographs or articles relating to Lillian Leitzel. In particular - I am looking for information regarding Lillian in or around 1924. If you happen to know anyone who EVER met her or have ANY form of story that has been handed down about Lillian I would LOVE to hear from you. roy@roymaloy.com, Roy Maloy. Reply to this message, replies go to this board, not to the message sender.

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3533. Foley & Burk Circus, 18 Nov 2010 - I'm looking for any history on the Foley & Burk Circus/Carnival. I'm guessing it was primarily in the Western U.S. and specifically Southern California but not sure. Thanks for any help or info, Joseph Schomer, Santa Barbara, CA. Reply to this message, replies go to this board, not to the message sender.

    Reply: 19 Nov 2010 - Refer to posting 1765 on this website for leads to Foley & Burk articles and surviving artifacts. There are also photographs at the California State Railroad Museum in Sacramento. Bob Goldsack's book about carnival trains also has some limited coverage on the operation. Fred Dahlinger

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3532. Betty Pasco, 16 Nov 2010 - I have a question for somebody. I am the nephew of the late Betty Pasco. I have so much old circus programs and some of her old outfits that she would wear. I would like to find out if there is a museum or someplace that might be interested in putting it on display. If so you can contact me at kpasco@colpac,com. Thanks, Ken Pasco. Reply to this message, replies go to this board, not to the message sender.

    Reply: 17 Nov 2010 - In my estimation, the key to your question is "Put it on display". There are certainly Circus Museums out there. Most of what is in them is NOT on display except for big stuff like wagons, trucks and rail cars. Try your local Historical Society first. They would be much more apt to display a local person's history than a circus museum full of circus people. Just my thoughts, Bob Cline

    Reply: 25 Nov 2010 - Hello Ken: Mr. Cline is totally correct. I have worked in the museum industry for 35 years and borrowing artifacts, such as your aunt’s wardrobe and other artifacts, can present several challenges for any museum. Most museums plan exhibitions several months, if not years, in advance and most borrowed artifacts end up coming from other museums, as they are often times much easier to deal with than private lenders. The cost of borrowing artifacts can also be prohibitive depending on the lender. Museum ethics dictate that any museum must be able to protect borrowed artifacts, including insuring them from “door-to-door” for exhibitions. Other factors that must be taken into account include the artifact’s value (usually market value, NOT sentimental or personal value), security for the artifact(s), condition of the artifact(s), fragility of the artifact(s), whether the museum has the proper display mounts for the artifact(s), etc. Take for example your aunt’s wardrobe. If a museum were to borrow a single costume, they would have to consider how best to display it. If a mannequin was to be used, chances are a custom-formed mannequin would be necessary, as you just can’t put a historic or important costume on any old store mannequin as most store mannequins do not fit historic costumes and you run the risk of damaging the costume when trying to put it on a wrong-sized mannequin and then even if you can wrangle it on, the chances are you will end up distorting the costume if it is left on for any length of time. Costs for a custom-fitted mannequin can also range anywhere from several hundred to several thousand dollars EACH and then it would only fit ONE costume. Even if the museum decided to use a display prop called a “slant board”, the cost for making one can also run hundreds of dollars. Next, the museum has to consider the type of lighting to use for the costume, as most costumes are extremely light sensitive and neither you or the museum would want to see the costume fade or discolor during the exhibition period. All of these factors go back to accepted museum standards and ethics, thus borrowing and exhibiting any loaned artifact has to be thoroughly considered and in some cases, a significant expense can be involved. I remember at one point in my museum career that the Cincinnati Art Museum had an exhibit of Hollywood Artifacts in a major exhibition that originated at the Smithsonian Institution. One of the artifacts in the exhibition was the rhinestone dress that Marilyn Monroe wore for JFK’s Birthday Party when she sang, “Happy Birthday Mr. President.” I was asked to put it onto the custom-fitted mannequin that accompanied the costume for the exhibition. Even though it may sound like it was a once-in-a-lifetime opportunity, it turned out to be a major pain in the @#&. The costume weighed about 50 pounds and it was as flimsy as gauze; it was also insured for over a million dollars. It took literally all day to install the dress onto the mannequin and I was sweating bullets the entire time. Any museum worth their salt would want to treat your aunt’s costume(s) in the same way—and if they didn’t, then you wouldn’t want them handling or displaying your aunt’s costume(s) anyway. Some museums are also much better at handling artifacts than others, so any decision to offer your aunt’s costumes for loan needs to be made with caution. The Ringling Museum of the Circus, which is part of the John and Mabel Ringling Museum of Art in Sarasota, FL, is currently building a new wing onto the Tibbals Learning Center Museum building that will house a new exhibit on circus performers and their contributions to the circus arts. They have been planning the exhibition for some years now, which will consist of a number of important performers’ wardrobe and other related artifacts. They are hiring a museum exhibit design firm for this exhibit and I’m sure that will cost them into the seven figures easily. Luckily, they have the best circus wardrobe collection in the entire world, but I would imagine that they would really have to consider very long and hard whether borrowing artifacts would be worth the investment of both staff time and money. – Neil Cockerline

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3531. African girl, elephants, 16 Nov 2010 - I am working on writing a musical about the circus in Indiana during the winter at the turn of the century (1898-1900). One of my collaborators is interested in playing with the idea of having a young African girl that works with a gruff elephant handler to care for the animals. Through most of my research, I have not found any information regarding whether this would be something that would be acceptable at the time. With her being of African descent and a woman in that time period, I find that to be a little historically inaccurate for something that we want to be based in history. Do you have any information on historical cases similar to this or know if there were any reported instances where someone like this existed? Any help would be appreciated! Thanks so much, Christopher. Reply to this message, replies go to this board, not to the message sender.

    Reply: 24 Dec 2010 - Christopher: It is quite doubtful that a girl of African descent would have actually appeared with a Caucasian trainer or presenter of that time period, unless she was quite light or fair skinned and could pass for a Caucasian. During that time period, the only Africans found in the “white” circus business would probably have been “human oddities” or “freaks of nature” that would have appeared in the Side Shows and most probably not as a legitimate performer in the circus ring. Minstrel shows certainly existed with all black casts, but there was rampant segregation in the show world overall, not to mention in the circus world. At one point at the turn of the century, there was a black showman who started with a Minstrel Show and then produced a “black” circus based in Wisconsin that toured for a few years, but the show was more like a minstrel show with some black “novelty” acts that made up the circus part of the show. This was the exception, however. On white-owned shows, even black musicians were not allowed to play with the Main Performance Big Top Band, but would be relegated to the Side Show Band, which generally were composed of all black musicians without any regard to how well they may have played their individual instruments. Many Side Shows featured “Minstrel” Show components and there may have been a few female black performers such as a vocalist or two and maybe a couple of dancers, but they would have never appeared in the main show performance. Black men were also used frequently as the main labor force for putting up and taking down the tents and some of the other hard labor that the circus required to move every day. There were, in fact, very few black women even found on the circus at all. Even performers that may have been the product of interracial parents would never expose their own mixed race. The great wirewalker Con Colleano comes to mind, who was the son of a white father and an Australian Aboriginal mother, who was black. Because he had a dark complexion, he always appeared as a Spaniard in a Spanish Toreador costume, doing “Spanish” dance steps on the wire with the accompaniment of Spanish music, just to hide his true racial origin. It was a ruse he used throughout his lifetime and it wasn’t until after his death that an Australian researcher discovered his aboriginal origins and revealed them in a biography of the greatest wirewalker in circus history. Black workers and Bandsmen had separate facilities for eating and on some shows, they did not even have sleeping quarters on the show trains, but rather they were expected to sleep on the flat cars underneath the circus wagons at night while the show was moving to the next day’s town. The segregation of blacks in the circus lasted well into the 20th century and the number of black performers that appeared in the main circus performance in all of the circuses in the United States could still be counted on one hand into the mid-1960s. Ringling Bros. and Barnum & Bailey did not have any black main show performers until the very late 1960s, when the King Charles Troupe of Black Basketball playing Unicyclists from Harlem finally broke through the color barrier and other than a token black dancing girl here and there, and a few black clowns that graduated from Clown College, there was not a single black female act until the mid-1980s when 2 former showgirls formed their own aerial act called Satin, which was featured on the RBBB show for a few seasons. The show’s publicity department went wild advertising Satin too, especially in cities with large black populations. It wasn’t until the 1990s, when a black Rock promoter took out the Universoul Circus that a black-owned show appeared after a hiatus of several decades with a majority of black performers, some who had been trained individually to appear with the show. So, if you want to be historically accurate, I’m afraid you will have to nix the idea of your African Elephant Empress, unless you weave into your book a character like the one in Showboat, who must conceal her Mulatto background and appear as a Caucasian actress in order to carry on her career. – Neil Cockerline

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3530. American Beauties, Flying Saturns, 16 Nov 2010 - Hi, I am trying to find out about The American Beauties and the Flying Saturns a group of women on poles and aerial during the 1940's. They where with the Clyde Beatty Circus. tesseitdr. Reply to this message, replies go to this board, not to the message sender.

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3529. Robert Frank or Frances Thompson, 16 Nov 2010 - I have pictures of my Great Uncle Frank riding a bike with his wife in a basket underneath him over some place in San Fran. I believe his full name was Robert Frank or Frances Thompson. My Aunt told me he used to be partnered with the Ringling Brothers and sold his part to Barnum Bailey. Do you have any information on him at all? He would have been born around 1875-85 in central Ontario and was a tightrope exhibitionist. He was also a balloonist and was once lost in the deserts of California for a week, surviving by eating grass. He apparently did a lot of his high wire act during the first WW wearing an army uniform. That is all the info I have, I am looking for anything else. Terry Thompson. Reply to this message, replies go to this board, not to the message sender.

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3528. William & Dottie Frey, 15 Nov 2010 - My name is Sally Totton. My grandfather and his second wife were Concessioneer's. They lived in Florida, Gibsonton, exactly. My grandfather was William H. Frey, from Pennsylvania and his wife was Dottie Frey, also from Pennsylvania. William passed away in 1976 and Dottie in 1987. Does anyone recall these two people? I would love some information on them, what they did exactly, what circus they worked. If someone would have a photo, that would just make my day. I never met my grandfather so I am curious to learn as much about him as I can. Thank you, Sally Totton, Pennsylvania. Reply to this message, replies go to this board, not to the message sender.

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3527. Sangers Circus, 15 Nov 2010 - Sangers Circus appeared in Hastings during August 1864. I would like to know who was actually working for them at the time. Where can I find a list of names of those on the pay roll? Sheila. Reply to this message, replies go to this board, not to the message sender.

    Reply: 17 Nov 2010 - Unless you have access to private papers then the chances of you finding out who was on a circus payroll are pretty remote. However, you may want to try the following newspapers to see if they carry advertising or reports: Hastings & St. Leonards Chronicle; Hastings & St. Leonards News. Rgds, Dave P

    Reply: 18 Nov 2010 - Thanks Dave P for your suggestion. I would particularly like to know who their tentmaster was at the time. Any other suggestions? Thanks, Sheila

    Reply: 18 Nov 2010 - The most comprehensive collection of national, regional and local newspapers for 19th century Britain is the digital project produced by Gale/Cengage and the British library, “19th Century British Library Newspapers.” Part 1 has been out for a couple of years (and Part 2 more recently) and includes “The Era,” a weekly British theatrical trade paper as well as many local newspapers. This is your best bet though I doubt if it will provide much more than your being able to collect the names of some major performers with the show from several articles - but that is the task any researcher must do. A number of universities subscribe to this digital source in the US and in Great Britain, if that is where you live, you’ll find it at some of the larger city libraries. Within the search function, you can limit by year/s or publication. Thus, you could search just for “Sanger” in The Era for the year 1864. Census records, when you can locate a traveling show that was enumerated, would probably provide the most complete list of employees you might hope for but the British census was done every ten years beginning in 1841. Moreover, there has always been a general problem in gathering census data for wandering people such as gypsies and show people. Richard Flint, Baltimore

    Reply: 19 Nov 2010 - Non-performing staff are always hard to trace, as they rarely show in reports or advertising. However, if you can put a name forward that may help. Rgds Dave P.

    Reply: 05 Dec 2010 - Thanks for the suggestions. Yes, I live in England and finding it very hard to trace my great, great grandfather, Joseph Keeley (sometimes spelt as Kelly/Kelley). His son, my great grandfather was born in Hastings, Sussex abt 1865. The local library told me that Sangers were performing in the area around that time, according to the Hastings News dated 26/8/1864, so I wondered if he was part of Sangers, probably something to do with the tenting. In 1891 he was recorded as a circus proprietor on his sons marriage certificate. I would really like to find out more. Any more suggestions? Sheila

    Reply: 06 Dec 2010 - Hello Sheila, In "Victorian Arena - the Performers, Vol 2" by the late John Turner there is a short note on 'Joe Keeley' . . . "Equestrian and proprietor, in Ireland. About 1888 went into partnership with Johnny Patterson the clown. After Patterson's death in 1889, married his widow Biddy. After his own death his widow carried on the show with Walter Brewer as manager, but it did not run for long." - jim@stockley.co.za

    Reply: 03 Feb 2011 - Thanks. I now have a copy of the marriage certificate between Joseph Keeley and Bridget Patterson, Johnny's widow. It shows that The Keeley's Circus was based in Linaskea during 1889. Always on the lookout for more information sheila.sexton@btinternet.com

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3526. Rhinoceros "Old Put", 14 Nov 2010 - Would anyone have any information as to what may have became of the skull of the famous performing Rhinoceros "Old Put" of the Dan Rice circus? Reportely the Rhino had drowned in the Mississippi River, when its cage fell overboard into the river when Dan Rice's steamboat collided with another Steamboat near a bend in the river about 19 miles South of La Crosse Wis. A newspaper article dated July 1870,mentions that a Rhinoceros skull was fished out of the river near that location that Summer. Old Put had been a Great One-Horned Indian Rhinoceros (Rhinoceros unicornis). Was the skull found in the Mississippi River sold to a private collection or did it become part of a museum's collection? Thank you. Kenton C. Reply to this message, replies go to this board, not to the message sender.

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3525. Circus train, Sioux City IA, 13 Nov 2010 - My name is Karen Baker of Spirit Lake, IA. I would like to know when the last circus train was in Sioux City, IA. I think it might have been around 1952. I don't know if it was the Ringling Brothers or Clyde Beatty Circus. My e-mail address is birders2@mchsi.com. Thanks for your help. Karen Baker. Reply to this message, replies go to this board, not to the message sender.

    Reply: 14 Nov 2010 - The Clyde Beatty Railroad show did not play Sioux City in the 1950s, so that just leaves RBBB on rails for Aug. 22 1953 and Sept. 25 1954. If you put Sioux City in the search box you will find additional dates. Ted Bowman Circus Route Collection

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3524. Rope walking history, 12 Nov 2010 - I have a question on circus history in general. Does someone know when wire rope (rope made of metal wire) was introduced in rope walking history instead of cotton or other materials, whichever it was tightrope or slack rope? I assume it was 1900s, possibly around 1910. Your insight would be very much appreciated. Mitsunobu Matsuyama, Yokohama. Reply to this message, replies go to this board, not to the message sender.

    Reply: 02 Dec 2010 - Your query is like other primary performance questions that await a researcher's attention. A close reading of the vocabulary in advertising and biographies [tight rope versus tight wire/rope], checking of period photographs, and ascertaining the development of the proper wire metallurgy for a tight wire might help to discern when the change took place. It's not clear in my mind if the tight wire/rope was a single strand of wire or a braided rope; each has different metallurgical characteristics. Do not be surprised if the conversion was marked by starts and stops, as the application of changed technology and performance practices often evolves across years, via a variety of performers. You might also learn that long walks, such as across the Niagara Falls chasm, fostered a different walking medium, as compared to the short distances in the circus pavilion. Fred Dahlinger

    Reply: 07 Dec 2010 - In Stuart Thayer's The Performers, A History of Circus Acts, he briefly discusses this topic. He points out that the use of the word "wire" instead of "rope" dates from 1846, and both words are used thereafter. Thayer stated that it is undetermined which the performers walked on. However, he states that manufactured wire appeared in about 1830, and that it is possible that circus performers made quick use of it. - Judy Griffin

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3523. Childhood friends, 12 Nov 2010 - I'm trying to reconnect with a couple of childhood friends, twin girls, one named Linda. Their parents traveled with "the circus" and the girls spent summers with their grandmother in WV. Grandmother's name was Lulu Theis, and I assume she was the maternal grandmother, though I'm not certain. Don't know the name of the circus, but I thought it traveled in the East/south-east part of the US. We were friends in mid-1950's-early '60's - we were all probably 10-14 years old. Going way out on a limb, I know, but I've been wondering about these friends and would appreciate any tips offered. Jak. Reply to this message, replies go to this board, not to the message sender.

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3522. Adam Forepaugh, Forepaugh Circus, 08 Nov 2010 - Hello, I am currently writing a book about my relative Adam Forepaugh and the Forepaugh Circus. I have been finding a lot of information from newspapers, but I am looking for anything anybody would be willing to tell me or any digital scans you may have to expand my sources and make my book better. I am mostly concentration on 1865-1890. Any help would be appreciated. Thank you, catskillmountainwriter@gmail.com. Reply to this message, replies go to this board, not to the message sender.

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3521. John Lincoln, Charles Ross, 08 Nov 2010 - My ancestor came to England with the circus in 1896 with the Barnum/Bailey circus. He was rumoured to be a clown//tightrope walker. Does anyone have any names for him. He may be John Lincoln or Charles Ross. Do the names John Lincoln of Charles Ross mean anything to anyone? Jane. Reply to this message, replies go to this board, not to the message sender.

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3520. Pallenberg bears, Elena, 07 Nov 2010 - Were there any posters made concerning Pallenberg or Elena? I believe Pallenberg trained bears and Elena rode horses. Any information will be appreciated. Thanks. My name is Lila Holly and I live in Oklahoma. Reply to this message, replies go to this board, not to the message sender.

    Reply: 08 Nov 2010 - If you contact me at goodcir@ptd.net I will make you a copy of a Pallenberg poster and send by email. Bob Good

    Reply: 09 Nov 2010 - If you watch the DVD of the movie Sensations of 1945. It has a segment with the Pallenberg bears The movie is a musical/variety. It also has W.C fields in his last film role. R.L.

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3519. Flying Arbors, 07 Nov 2010 - My Aunt Julia and Uncle Bud Asher, also daughter Mildred Asher, were performers, they did most aerial and some horse tricks. They were known as the Flying Arbors. Any info or pictures would be appreciated. Thank you! Dena Miller. Reply to this message, replies go to this board, not to the message sender.

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3518. RBBB 1971, 06 Nov 2010 - Which RBBB Unit played: Jan. 13, 1971 at Bayfront Center Arena in St. Petersburg, FL. Thanks, mbassetti@usa.net. Reply to this message, replies go to this board, not to the message sender.

    Reply: 11 Nov 2010 - The Red Unit played from January 12 - 17, 1971 at the Bay Front Center in St. Petersburg, Florida, and from January 18 - 20 the show worked on rehearsals and TV taping in the same location. Ted Bowman Circus Route Collection

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3517. Dora E. Start, 06 Nov 2010 - This is a long shot. My great grandmother was in a circus in the mid-1900s - traveled throughout the midwest on a train - thru Chicago - out of Advance, Missouri. Name was Dora E Start (Jackson) had a little girl red haired name Florence, Cousin Emma Mae Macy. She did snake charming stuff. That's all I know. Anyone know of a list of circuses around between 1890-1920? Thanks. Vicki Walker. Reply to this message, replies go to this board, not to the message sender.

    Reply: 06 Nov 2010 - Vicki, Sturtevant's list of circuses, on this website, has a list of circuses between 1890-1920: www.circushistory.org/History/Sturtevant.htm. Give it a try. J. Griffin

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3516. Book, animal training, 03 Nov 2010 - I am looking for a book written in the early 1900's. It was written for Ringling Bros. and had a yellow cover. The title of the book was something like, "Kinder Techniques for Training Circus Animals." Information in the book included kinder techniques using food and body ques. I hope you might be able to help me find this out of print book. A dear friend of mine read it when he was just a young boy, he works with animals and trains their owners to work with them. I would like to find this book as a gift to my friend. Thank you very much in advance for your help. Debra Smith. Reply to this message, replies go to this board, not to the message sender.

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3515. Modoc's tusks, 03 Nov 2010 - Greetings! I have been reading MODOC. The author states in the book that MODOC had tusks, but the pictures in the book show an elephant without tusk even though the author says the pictures are some in her later life. Can you assist with this discrepancy? Jann, Helotes, Texas. Reply to this message, replies go to this board, not to the message sender.

    Reply: 04 Nov 2010 - If this is the book I'm thinking about it is fiction masquerading as history. Dave

    Reply: 04 Nov 2010 - Sorry to disappoint but the book is a work of fiction. There was more than one elephant named 'Modoc' in American circus but none swam to shore after a shipwreck with Bram on their backs and, as for the part where Modoc and Bram recuperate in India where "they meet the legendary white elephant who gives Modoc near-human intelligence" - words fail me! Look at posts #57. Modoc, January 19, 2004; #3192 Modoc, 05 Dec 2009; #1486. Modoc, 10 August, 2006 and #2183. Modoc, North circus, Bram, 29 Nov 2007 for more. You may also search Buckles Woodcock's blog at http://www.bucklesw.blogspot.com/ for more on this subject. We get so many posts about Modoc fiction, perhaps it is time to post a 'sticky' at the top of the page that answers this once and for all? ;-) Just wait until "WATER FOR ELEPHANTS" movie comes out, we are going to be inundated ;-) jim@stockley.co.za

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3514. George Robinson, 02 Nov 2010 - Has anyone any info on George Robinson. I think he was a strongman called Little Samson. He was from England around 1920/1930. Thanks for your help. c.friel. Reply to this message, replies go to this board, not to the message sender.

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3513. Greek word, sideshow, 31 Oct 2010 - What Greek word originally refered to a circus side show person who bit the heads off chickens and snakes? Eastmanmarcy. Reply to this message, replies go to this board, not to the message sender.

    Reply: 04 Nov 2010 - Greek word might be: "neeshtikos"? (Google - Greek "neeshtikos") or maybe you are thinking of the English slang word "Geek"? jim@stockley.co.za

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3512. 1st female clown, Beatty-Cole, 31 Oct 2010 - Hello, Could anyone tell me who the first female clown was on Clyde Beatty Cole Bros. Circus. Thank you, Nancy. Reply to this message, replies go to this board, not to the message sender.

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3511. Dalebeanie - Circus Trunk, 31 Oct 2010 - My grandfather's stage name was "Dalbeanie", he was a balancing artist and later a clown. He performed with Ringling Brothers in the 50's, and other circuses before that. He joined the circus as a young teenager, leaving his home in Australia. His career spanned the 1890's through the early '50's. He appeared in "The Greatest Show on Earth". (The clown who looks up sadly before Lancaster falls). He retired to Sarasota, Florida, living in the DeSoto Hotel, home to many retired circus performers at the time. I recently inherited his circus trunk, which had not been opened since his death in 1958. I found a Sarasota locksmith who was able to open it. The trunk contained, among other things, a section of a Russell Brothers poster. I'd like to hear from anyone who knows anything about him, and/or knows about any of the other retired performers who stayed at the DeSoto Hotel (Sarasota, Florida) in the '50's. Thank You. drodrig701@aol.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 11 Nov 2010 - You are confused here. Burt Lancaster appeared in the film “Trapeze”, which was shot in France. He never appeared in the film “The Greatest Show on Earth.” Colonel Wilde appeared in “The Greatest show on Earth.” Both characters in their respective movie roles fell from aerial acts, Lancaster from a true Flying Trapeze with a catcher and Wilde from a swinging double trapeze without a catcher. Which movie are you talking about? Neil Cockerline

    Reply: 12 Jan 2011 - As far as I know, the poster of your grandfather is one of a set of five 1934 posters depicting various acts in the Russell Brothers Circus. The others were bills for Frank Miller, Bob Fisher’s Five Fearless Flyers, Athleta (Kathryn Brooks), and William H. “Dad” Whitlark (my great-grandfather). I have found some newspaper articles on Dalbeanie that has him performing at venues in Australia & New Zealand from Mar 1907 to May 1909 to include:
    Broken Hill NSW; Hippodrome, Crystal Theatre; Mar-Apr 1907
    Adelaide; Tivoli Theatre; Apr 1907
    Sydney; National Amphitheatre; May 1907
    Wellington NZ; Theatre Royal; Oct 1907
    Broken Hill; Hippodrome, Empire Music Hall, See Recreational Ground; Jan-Apr 1908
    Perth; Hay Street West, with Fitzgerald Bros Circus, Top of York Street, Nicholson’s; Jun-Jul 1908
    Williamstown VIC; Market Reserve, with Fitzgerald Bros Circus; Jan 1909
    Brisbane; Theatre Royal; Mar-Apr 1909
    Rockhampton QLD; Rockhampton Open Air Theatre-Union Grounds; Apr-May 1909
    Sapphire QLD; with Lewis Family; May 1909
    Emerald QLD; with Lewis Family; May 1909
    Alpha QLD; with Lewis Family; May 1909
    Jericho QLD; with Lewis Family; May 1909
    Barcaldine QLD; with Lewis Family; May 1909

        I have found some newspaper articles that has him returning to Australia to perform from Dec 1922 to May 1923 at these venues:
    Perth; Theatre Royal; Dec 1922-Jan 1923
    Adelaide; Majestic Theatre; Feb 1923
    Melbourne; Fuller’s Bijou Theatre; Mar 1923
    Brisbane; Fuller’s Empire Theatre; Apr 1923
    Sydney; Fuller’s New Theatre; Apr-May 1923

        I have found information that Dalbeanie performed with the following shows in the US: Hagenbeck-Wallace; Russell Bros; Ringling Bros & Barnum & Bailey; King-Cristiani. My great-grandfather, William H. “Dad” Whitlark performed with the Russell Bros Circus from 1929 to 1935. During my research, I ran across the following newspaper articles on Dalbeanie:

    Article; Newspaper; Date; Pg; Col
    A Wagon Wheel-A Man; Piqua (OH) Daily Call; 20 Apr 1934; 6; 6
    Feature Act Will Thrill Those Who See Russell Show; Piqua (OH) Daily Call; 27 Apr 1934; 14; 3
    He Does Stunts on Wagon Wheel; Coshocton (OH) Tribune; 3 May 1934; 9; 5
    Wagon Wheel is Used in Circus; Piqua (OH) Daily Call; 4 May 1934; 13; 3-4
    Capt Dalbeanie Rode From Australian Gold Fields to the Circus on a Wagon Wheel; Olean (NY) Times Evening Herald; 15 May 1934; 11; 1
    A Wagon Wheel-A Man; Massillon (OH) Evening Independent; 18 May 1934; 19; 3
    Capt Dalbeanie Rode Wagon Wheel to Circus; Dunkirk (NY) Evening Observer; 20 Jun 1934; 11; 5
    Dalbeanie Has a Clever Act; Canandaigua (NY) Daily Messenger; 26 Jun 1934; 5; 6
    Capt Dalbeanie Rode From Australian Gold Fields to the Circus on a Wagon Wheel; Indiana (PA) Evening Gazette; 5 Jul 1934; 11; 4-5
    A Circus Star Coming Whose Discovery of a Reverse Balance Created an Exclusive Act; Clearfield (PA) Progress; 9 Jul 1934; 6; 5-6
    Circus Star Has Found Reverse Balance; Lebanon (PA) Daily News; 14 Jul 1934; 5; 1
    Circus Star Coming in Reverse Balance Act August 14th; Burlington (NC) Daily Times News; 30 Jul 1934; 8; 4
    Unique Circus Act; Frederick (MD) Post; 31 Jul 1934; 3; 8
    Russell Bros Circus Coming Thurs August 9; Danville (VA) Bee; 4 Aug 1934; 7; 7
    Australian Has New Balancing Feat; Newark (OH) Daily Advocate; 11 May 1935; 7; 3

        In addition, one of the best articles, entitled “Capt Dalbeanie Rode on Wheel from Australia,” is in columns 5 & 6 of page 2 of the 14 August 1934 edition of the Statesville (NC) Record: “Three score years ago many a country gentleman found pleasure in asking his farm lad to lift himself by his boot-straps. Of course the lad would fail to do it. However that is exactly what Capt. Dalbeanie does twice daily with the Russell Bros. Three Ring Circus which is billed to exhibit in Statesville, Friday, August 17th, afternoon and night.
        Dalbeanie was born in Melbourne, Australia, reared in the gold fields of Coolgardie where his father was the chief engineer of the Golden Horseshoe mines, said at the time to be the richest gold mines in the world. Young Dalbeanie ran away from college to become a bicycle rider, and contesting in 12 major races he was the winner in eleven of them. He then for two years tried to ride a wagon wheel. Finally he discovered the secret which has enabled him to accomplish the remarkable feat he now performs twice daily with the Russell Circus, much to the chagrin of scores of others who have attempted to do this act. Dalbeanie declared the secret to be a ‘reverse balance,’ whatever that is. No one else has discovered it, so that this act is absolutely the only one of its kind in the world and it cannot be seen any place except with the Russell Circus. He then tried to ride the wagon wheel up a staircase, but says it was exactly one broken arms and three broken ribs before he got to the top of the staircase. Dalbeanie now jumps the rope on the top step, while mounted on the wagon wheel and again he says the secret is the mysterious ‘reverse balance.’ After attaining that success this ambitious Australian has toured twenty three countries of the globe, working continuously except for stop-overs in hospitals due to injuries received while riding wagon wheel up the stairway.
        The combined weight of the wagon wheel and Dalbeanie is 215 pounds and yet in some unaccountable manner without any outward help Dalbeanie lifts this weight step after step and jumps the rope, etc.—a feat accomplished by no other person, although many have attempted it with disastrous results. Capt. Dalbeanie is quite an inventor and a student. Many of his inventions have been described and illustrated in Popular Mechanics. He has just returned to America from a tour of England and is booked for a tour of France at the conclusion of the circus season with the Russell Bros. Circus.”
        I have found information on your grandfather from the following magazine articles: Bandwagon; Nov-Dec 1974, p 28; Sep-Oct 1976, pp 18-19; Sep-Oct 1978, pp 7-10, 14; May-Jun 1981, pp 14, 16, 18-19; Sep-Oct 1981, pp 18-20, 28; Sep-Oct 2011, p 25. Billboard, 7 Nov 1953, p 66. Pat Friedrich, Texas

    Reply: 21 Apr 2013 - In addition to my reply of 12 Jan 2011, I have recently run across the following articles from 1911 to 1917 on the troupe Dalbeanie & Co.:
    Diving Venus at Chester; Airship at Coney; Tuesday the Circus: Cincinnati (OH) Post: 29 Jul 1911: 4; 3-8
    The Show You Musn't Miss; Baltimore (MD) Sun; 12 Jan 1913; 1; 2
    Lyceum; Canton (OH) Repository; 10 Apr 1913; 6; 5
    Lyceum; Canton (OH) Repository; 12 Apr 1913; 8; 5
    Fox's Theater; Springfield (MA) Daily News; 22 Jan 1914; 15; 6
    State St Theatre; Trenton (NJ) Sunday Times Advertiser; 1 Mar 1914; 31; 1-2
    State's Strong Bill; Trenton (NJ) Evening Times; 6 Mar 1914; 10; 4
    Pathe Weekly Will Be Repeated Today At Star; Ithaca (NY) Daily News; 14 Jan 1915; 3; 3
    Lyceum; Canton (OH) Repository; 7 Feb 1915; 21; 3-7
    Lyceum; Canton (OH) Repository; 8 Feb 1915; 9; 1
    Globe; Philadelphia (PA) Inquirer; 14 Mar 1915; 12; 2
    The Good Old Stafford Springs Agricultural Fair & Races; Springfield (MA) Daily Republican; 8 Oct 1916; 7; 7-8
    Stafford Springs Agricultural Fair & Races; Springfield (MA) Union; 9 Oct 1916; 2; 4-5
    Week-end Bill at Poll's; Springfield (MA) Daily Republican; 20 Sep 1917; 3; 3-4

        I ran across the following articles from 1925, 1936 & 1939 on the Great Dalbeanie:
    Pageant Beauties & Film Version of "Lightin'" Headline Capitol Bill; Trenton (NJ) Sunday Times Advertiser; 11 Oct 1925; 44; 3-4
    BF Keith's Capitol; Trenton (NJ) Sunday Times Advertiser; 11 Oct 1925; 44; 3-8
    Le Cirque des Elks A Portland Du 14-19 Decembre; Biddeford (ME) Justice; 4 Dec 1936; 8; 3-4
    Today Portland Day; (Portland) Oregonian; 25 Aug 1939; 35; 2

        I also ran across the following two articles from 1934 on the Great Dalbeanie while he was performing with the Russell Bros:
    Dalbeanie Has "Safe" Secret; Greensboro (NC) Record; 4 Aug 1934; 12; 3
    Wagon Wheel Stunt Great Performance; Greensboro (NC) Record; 16 Aug 1934; 7; 6

        I have found further references to the Great Dalbeanie in the following issues of Billboard magazine (by article; date; page; column):
    Mail on hand at New York Office; 22 Jan 1944; 56; 3
    Advertisement; 12 May 1951; 51; 5
    Under the Marquee; 26 Jul 1952; 61; 3
    Mail on Hand at New York Office; 25 Oct 1952; 97; 2
    King-Christiani Show Sticks to Tradition; 18 Apr 1953; 53; 1-2
    King Roster Lists Staff, Bosses, Band; 24 Apr 1954; 68; 4.

    Pat Friedrich, Texas

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3510. Renz Circus, Rigolis, 30 Oct 2010 - I am looking for a source of information regarding the "Renz" Circus in Vienna Austria for whom my grandfather was reportedly a ring master in the 30's. Also interested to find info about my mother's acrobatic group "tres Rigolis" who toured the world until the late 50's. Thanks! Evi. Reply to this message, replies go to this board, not to the message sender.

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3509. Mildred & Louis Arley, Hunt Bros., 30 Oct 2010 - My father was Louis Arley part of Louis and the Oliver sisters. My mother was Mildred Arley once married to Harry Hunt from the Hunt Brothers circus and my half sisters were from Harry and my mother. They all performed in the Hunt circus and father in Ringling brothers. I have several pictures of them performing and of the Hunt brothers circus and family. My name is Terry Louis Arley my email is arleytl @aol.com. Reply to this message, replies go to this board, not to the message sender.

    Reply: 05 Apr 2011 - Mildred Small was married to Edward Hunt not Harry Hunt and they had 2 daughters Diane Edwina Hunt and Charlene Ethel Hunt. Happy Tunes.

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3508. Sideshow blog, 29 Oct 2010 - My name is Noel and I am the sole operator of a blog on all things circus and sideshow, HeyRubeCircus.com. I focus on historical trivia and contemporary artists. I am looking to network with others interested in writing on these topics. If you have a personal anecdote, a wealth of historical knowledge, or simply a passion for these issues, please contact me and we can discuss publishing your work on the site. I keep posts short, no longer than 5 paragraphs. Sincerely, Noel aka Ballyhoo Betty, noelbenedetti@gmail.com. Reply to this message, replies go to this board, not to the message sender.

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3507. Circus Polka: For a Young Elephant, 27 Oct 2010 - Circus Polka: For a Young Elephant, Composer:Igor Stravinsky, Choreographer: George Balanchine. I am writing to inquire if you may know if an archival film/video clip exits of the 1942 performance of Igor Stravinsky's work "Circus Polka: For A Young Elephant" which was written for the Ringling Brothers & Barnum & Bailey Circus. George Balanchine choreographed the ballot which involved the circus's famous elephant group. I am programming this work on a future concert and was hopeful that there may be a video clip which we could show the audience prior to the performance. I have already contacted the Circus World Museum and The John and Mable Ringling Museum of Art. The Ringling Museum suggested contacting your website. Thank you for your time. I look forward to your reply. Best wishes, Robert D. Jorgensen, Director of University Bands, University of Akron. Reply to this message, replies go to this board, not to the message sender.

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3506. Larry Welsh, calliope, 27 Oct 2010 - Looking for any information about a gentleman named Larry Welsh who played the steam Calliope for the King Bro's Circus. Do not know how long he was with them, but know that he retired sometime in 1954 to move back to Saginaw Michigan. Robert Freer. Reply to this message, replies go to this board, not to the message sender.

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3505. Phebe Dunn, fat lady, 27 Oct 2010 - I am looking for any information about Phebe J. Dunn, known as the Fat Lady of Elgin, Illinois. I think she was born ca. 1850 - I can't find her in the census, but I've seen CDVs that date from the 1860s. I would also like to know if she was attached to a circus. Thank you! Merry. Reply to this message, replies go to this board, not to the message sender.

    Reply: 04 Nov 2010 - I found the following at http://www.oldalgonquin.net/CalBackWhen.html: September 30, 1909 - "Miss Phebe Dunn who was the giantess of Barnum Circus dies. She lived on North River drive." Perhaps the local historical society may provide more information. Good Luck! - Tom H.

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3504. Levitt, Brown, Huggins Show, 26 Oct 2010 - Hello, I had a relative that had monkeys in the Levitt, Brown, Huggins Show. I believe it was out of San Francisco, California but they traveled all over the world. I know she was in the show in 1930. They were in San Francisco, at the Mexican border, Vancouver, Canada, Tacoma, Washington, Spokane, Washington, Salem, Oregon. In 1931 they were in Honolulu, Phillipines and Manilla. Any help you can give me would be appreciated. Thanks, Cathy. Reply to this message, replies go to this board, not to the message sender.

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3503. Circus, Birmingham AL, 26 Oct 2010 - I went to a circus in Birmingham, Alabama either winter of 1980 or spring of 1981. Can anyone tell me about that circus? The name and who the owner was? I remember one of the elephants escaped and I saw him running through a field with his handlers chasing him. Please email me at hahubbard@embarqmail.com. Reply to this message, replies go to this board, not to the message sender.

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3502. Norman D. Brown, 25 Oct 2010 - Looking for my grandfather Norman D Brown who was an accountant for the circus and maybe a clown. Was in Key West FL in 1926, 1931 Springfield Mass, 1927 Detroit. He died in 1933 in Hagerstown Maryland. Thank you for what ever you can give me. Beatrice. Additonal information: My grandfather's name was Norman David Brown, deceased York, Pennsylvania, 1933. He was an accountant for the circus do you have any paper work that he lived? Thank you, his grand daugther Beatrice Reply to this message, replies go to this board, not to the message sender.

    Reply: 31 Aug 2011 - You have help me with Norman D Brown who worked for the circus +1925-to 1934 when he died. The death certificate has William Glick Shows has his employed. Which I did not know if I told you. If you have any other place you think I could look, I would appreciate it. He lived in Mass., Detroit, Pennsylvania, Maryland. Thank you very much for putting up with me. Beatrice

    Reply: 02 Sep 2011 - It would appear that your grandfather was an employee of several different carnivals during his traveling show career. A flashback listing from "25 Years Ago" in "Billboard," February 4, 1950, page 66, stated that Norman D. Brown was hired as Secretary-Treasurer of the Miller Bros. Shows [operational c1921-1940]. William Glick Shows was a railroad carnival during the time of your grandfather's existence. The directory of traveling carnivals in Joe McKennon's book gives operational years of 1930-1936. Earlier, in 1923, Glick and Ralph W. Smith bought the Bernardi Greater Shows, another railroad carnival. There are a few photographs of the Glick outfits, but coverage in the carnival news columns in the weekly issues of "Billboard" and "New York Clipper" will provide the only continuum of information. Periodically, especially after a show opened, the roster of employees was published. Glick later resided in Baltimore, owned a hotel and also operated a motorized carnival, Ideal Exposition Shows, c1937-1942. I've not heard that his personal papers or business records survive, nor has he been the subject of a recent biography. If your knowledge of places and years includes the months, you could go to the local newspapers and determine which traveling shows were then in the community. That would make your associations specific to a particular show. As an accountant, your grandfather's obituary probably appeared in the obit columns of the "Billboard," which might also provide additional information. A month and day would facilitate a quick search, as would clarification of 1933 or 1934 as the year of death. Fred Dahlinger Jr., Curator of Circus History, John and Mable Ringling Museum of Art, Sarasota, FL

    Reply: 30 Sep 2011 - I am sorry if I am a pest. But I just want to know if you know some other place I could look for my grandfather Normam David Brown who worked for William Glick Shows in 1933. I don't know how long he work for them. He died in feb 10 1934 in York Pennsylvania . Thank you for anything Beatrice

    Reply: 07 Oct 2011 - The February 17, 1934 issue of "Billboard," page 52, carried this obituary notice.
        Brown - Norman D., 40, secretary-treasurer of William Glick Shows, died February 10 at York, Pa. He was well known in the show world and was for years with Greater Sheesley Shows and Miller Bros.' Shows in an executive capacity. He is survived by his widow, Jane, and three children.
        I did not find any mention of Brown's passing in the carnival news columns in Billboard. As for further resources, back issues of "Billboard," available on microfilm through interlibrary loan, would be the best source. It will take some time to scan them. His name would most likely be mentioned in spring issues, when carnivals were taking to the road and they were reviewed, along with publication of staff names.
        The York newspapers at the time of his passing might contain an obituary notice. I just checked 1934 issues of the "Big Eli News," the publication of the Eli Bridge Company, a maker of Ferris wheels and the Scrambler; it did not mention Brown's passing.
        Bob Goldsack published an article about the Greater Sheesley Shows in his now defunct "Midway Journal Illustrated," and you might secure a copy of it. A Google search will turn up mention of the article on this website as well as Goldsack's address. Fred Dahlinger Jr., Curator of Circus History, John and Mable Ringling Museum of Art, Sarasota, FL

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3501. Archives, London, 25 Oct 2010 - Does anyone know if there is a museum or archives relating to early English circuses in London? I am in Australia and visiting London next year, wanted to drop in to browse collections. Thanks. Caroline. Reply to this message, replies go to this board, not to the message sender.

    Reply: 18 Nov 2010 - The British Library has important holdings and the contents of the former Theatre Museum are now at the V&A. There is also the National Fairground Archive at the University of Sheffield which includes the large collection of the British Circus Friends Association. While open to the public, the holdings at each place are so extensive and specialized that most institutions are not set up for “browsing.” If you wish to “browse,” take a look at R. Toole Stott’s five-volume bibliography “Circus and Allied Arts” and that will help you understand the scope of the material available in printed format, not counting more ephemeral sources (such as posters and programs) that are generally not included in Stott’s great work. You should check these resources online and contact the libraries in advance with your specific requests to make the most efficient use of your time, especially if you have specific goals. Richard Flint, Baltimore, MD

    Reply: 06 May 2011 - I think you will find the people who run the National Fairground Archives at Sheffield University very helpful. I spent five days there in Feb. and had no trouble seeing as much material as I wanted. The old basement space is a big work space now with the top floor holding a big gallery for exhibitions. On the same level but up a few steps there is a new research area with tables and chairs, computers for looking up material in the collection, related circus magazines plus a huge library at your disposal. There are back issues of most circus periodicals going back decades. The Billy Smart family collection is there and it is a very extensive collection of British circus life. I would contact Professor Vanessa Toulmin to plan your visit. There is a city tramway from the rail station right up to the university. Bring walking shoes - the town, like Rome is built on seven hills. Some very nice hotels downtown and very good restaurants downtown and around the university. Tram service is cheap and fast. Just a lovely place to visit. Al Stencell

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